Asian Art

The Gallery’s collection of Asian art comprises nearly 8,000 works from East Asia, South Asia, continental Southeast Asia, Iran, Iraq, and Turkey and spans the Neolithic period to the 21st century. Highlights of the collection include Chinese ceramics and paintings, Japanese paintings and prints, and Indian and Persian textiles and miniature paintings.
Moonlight Bamboo
Jar with Chrysanthemums
Sultan Tughril III, from a Manuscript of Hafiz-i Abru's Majma' al-tawarikh
Noh Robe, compound twill
Deep Bowl (Fukabachi)
Reclining Courtier

About Asian Art

The Department of Asian Art’s Chinese and Japanese collections were built initially through the gifts and bequest of Mrs. William H. Moore between 1937 and 1960. The greatest strengths of the Chinese holdings are ceramics and paintings, including a group of vessels from the Changsha region of Hunan Province, from around 500 B.C.E. to 1000 C.E., assembled for the most part by John Hadley Cox, B.A. 1935. Chinese paintings range from the Tang dynasty (618–907 C.E.) through the 20th century, with particular strengths in the 17th century and in the modern and contemporary period.

The Japanese collection has important concentrations in the arts of the Edo period (1615–1868). Approximately 1,200 prints, the majority of which are ukiyo-e prints of the 18th and 19th centuries, demonstrate the breadth of this medium, and recent additions have included a group of 20th-century prints. Several important screens and hanging scrolls of the 14th through 18th century highlight the department’s holdings of Japanese painting and calligraphy, while Japanese textiles are represented by fragments from the Shōsōin repository in Nara, Noh robes, kimonos, and a collection of Buddhist priests’ robes. Japanese ceramics, a growing area of the collection, span from the Neolithic period to the presend day, with important recent additions of contemporary ceramic sculpture.

The South Asian and Islamic collections, again founded by the gifts of Mrs. Moore, are represented by an excellent group of textiles, ceramics, miniature paintings, and manuscript pages. Gifts of over 80 Persian and Indian miniature paintings, and others of Indian sculpture, have greatly augmented the holdings of Iranian and Indian art.

Note from the Curator

The Asian art galleries, which have expanded to occupy the entire second floor of the Gallery’s iconic Louis Kahn building, reopened last October, and we invite everyone to visit and experience the reinstalled collection. The expansion allows us to not only show more of the collection—including ceramics, religious sculptures, and metalwork—but also present a series of small, rotating displays that focus on paintings and other light-sensitive works. One new installation highlights the importance of calligraphy as an artistic tradition in China, and another explores the relationship between the moon and bamboo in Japanese art. In addition, the galleries currently feature traditional and contemporary works from the Islamic world, including loans from Yale’s Harvey Cushing/John Hay Whitney Medical Library. These thematic displays will be on view until early December 2018, and we encourage you to visit again and again. There will always be something new to study and enjoy in the Asian art galleries.

Denise Patry Leidy

The Ruth and Bruce Dayton Curator of Asian Art

The newly reinstalled Shen Family Gallery of Asian Art

The newly reinstalled Shen Family Gallery of Asian Art

Meet the Curators

Denise Patry Leidy

Denise Patry Leidy, the Ruth and Bruce Dayton Curator of Asian Art, received her master’s and doctoral degrees from Columbia University. Prior to joining the Gallery, she served as the Brooke Russell Astor Curator of Chinese Art at the Metropolitan Museum of Art and as curator at the Asia Society and the Museum of Fine Arts, Boston. Denise has curated exhibitions such as Global by Design: Chinese Ceramics from the R. Albuquerque Collection (2016), Silla: Korea’s Golden Kingdom (2013), Red and Black: Chinese Lacquer from the 13th to the 16th Century (2012), and Hidden Treasure of Afghanistan (2009). Her publications include How to Read Chinese Ceramics (2015), Wisdom Embodied: Chinese Buddhist and Daoist Sculpture in the Metropolitan Museum of Art (2010), The Art of Buddhism: An Introduction to Its History and Meaning (2009), Mother-of-Pearl: A Tradition in Asian Lacquer (2006), and Treasures of Asian Art: The Asia Society’s Mr. and Mrs. John D. Rockefeller Collection (1994).

denise.leidy@yale.edu

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Sadako Ohki

Sadako Ohki, the Japan Foundation Associate Curator of Japanese Art, received her master’s and doctoral degrees in History of Art from the University of Michigan. Ohki wrote her doctoral thesis on Ike Taiga’s calligraphy, reflecting a lifelong interest in calligraphy and ink art. She contributed an essay on Taiga to Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush (Philadelphia Museum of Art, 2007); on British abstract artist Rebecca Salter and her interest in Japan to Rebecca Salter: Into the Light of Things (Yale Center for British Art, 2011); and on Konoe Nobutada to the magazine Orientations (2012). Her exhibitions at the Gallery include Tea Culture of Japan: “Chanoyu” Past and Present (2009), which was accompanied by an exhibition catalogue, and, most recently, the three-part exhibition Byobu: The Grandeur of Japanese Screens (2014).

sadako.ohki@yale.edu

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Further Reading

The Edo Culture in Japanese Prints. With an introduction by George J. Lee. New Haven: Yale University Press, 1972.

Lee, George J. Selected Far Eastern Art in the Yale University Art Gallery. New Haven: Yale University Art Gallery, 1970.

Neill, Mary Gardner. The Communion of Scholars: Chinese Art at Yale. New York: China Institute in America, 1982.

Ohki, Sadako. Tea Culture of Japan, exh. cat. New Haven: Yale University Art Gallery, 2009.
Learn More

Ohki, Sadako. Twentieth-Century Japanese Ceramics at the Yale University Art Gallery: The Collections of Molly and Walter Bareiss. New Haven: Yale University Art Gallery, 2001.

Ohki, Sadako, ed. Yale University Art Gallery Bulletin: Japanese Art at Yale (2007).
Learn More

Sensabaugh, David Ake. The Scholar as Collector: Chinese Art at Yale. New Haven: Yale University Art Gallery, 2004.

Staples, Loretta N. A Sense of Pattern: Textile Masterworks from the Yale University Art Gallery, exh. cat. New Haven: Yale University Art Gallery, 1981.

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