SPECIAL ADVISORY: The Yale University Art Gallery is free and open to the public from Tuesday through Sunday. Masks and COVID-19 vaccination (including booster, if eligible) are required.Review our Visitor Policies

Asian Art

The Gallery’s collection of Asian art comprises nearly 8,000 works from East Asia, South Asia, continental Southeast Asia, Iran, Iraq, and Turkey and spans the Neolithic period to the 21st century. Highlights of the collection include Chinese ceramics and paintings, Japanese paintings and prints, and Indian and Persian textiles and miniature paintings.
Moonlight Bamboo
Bactrian Camel
Buddhist Deity Indra (Taishakuten)
Ink Plum
Deep Bowl (Fukabachi)

About Asian Art

The Department of Asian Art’s Chinese and Japanese collections were built initially through the gifts and bequest of Mrs. William H. Moore between 1937 and 1960. The greatest strengths of the Chinese holdings are ceramics and paintings, including a group of vessels from the Changsha region of Hunan Province, from around 500 B.C.E. to 1000 C.E., assembled for the most part by John Hadley Cox, B.A. 1935. Chinese paintings range from the Tang dynasty (618–907 C.E.) through the 20th century, with particular strengths in the 17th century and in the modern and contemporary period.

The Japanese collection has important concentrations in the arts of the Edo period (1615–1868). Approximately 1,200 prints, the majority of which are ukiyo-e prints of the 18th and 19th centuries, demonstrate the breadth of this medium, and recent additions have included a group of 20th-century prints. Several important screens and hanging scrolls of the 14th through 18th century highlight the department’s holdings of Japanese painting and calligraphy, while Japanese textiles are represented by fragments from the Shōsōin repository in Nara, Noh robes, kimonos, and a collection of Buddhist priests’ robes. Japanese ceramics, a growing area of the collection, span from the Neolithic period to the presend day, with important recent additions of contemporary ceramic sculpture.

The South Asian and Islamic collections, again founded by the gifts of Mrs. Moore, are represented by an excellent group of textiles, ceramics, miniature paintings, and manuscript pages. Gifts of over 80 Persian and Indian miniature paintings, and others of Indian sculpture, have greatly augmented the holdings of Iranian and Indian art.

Note from the Curator

Three new thematic displays of paintings are on view in the Asian art galleries through May 2022. Practice as Power in the Paintings of South Asia highlights works from the Yale University Art Gallery collection that illustrate ascetic practices as well as wrestling and other physical activities, alongside comparable paintings from the Yale Center for British Art. The installation explores the longstanding South Asian tradition of engaging with the body as both a conduit toward and evidence of spiritual transcendence. Painting during the Ming Dynasty (1368–1644) examines the multifaceted ways in which painters, whether amateur or professional, reimagined classic stylistic traditions such as those of the Northern Song (960–1127) and Southern Song (1127–1278) dynasties. Addressing ingenious Japanese responses to this continental preoccupation with the past, Nanga: The Japanese Transformation of Continental Literati Art centers on painting and writing as means of self-development and self-expression, a notion shared by all East Asian cultures.

Due to their sensitivity to light and climate, the paintings and textiles displayed on the west side of the museum’s second-floor Asian galleries change roughly every six months. The galleries on the east side, naturally illuminated by floor-to-ceiling windows, showcase less fragile but equally wonderful sculptures, ceramics, and metalwork objects from Afghanistan, Cambodia, China, India, Iran, Iraq, Japan, Korea, Pakistan, Thailand, and Tibet.

Denise Patry Leidy
The Ruth and Bruce Dayton Curator of Asian Art

The current rotation in the Shen Family Gallery of Asian Art

Featured Media

Meet the Curator

Denise Patry Leidy

Denise Patry Leidy, the Ruth and Bruce Dayton Curator of Asian Art, received her master’s and doctoral degrees from Columbia University. Prior to joining the Gallery, she served as the Brooke Russell Astor Curator of Chinese Art at the Metropolitan Museum of Art and as curator at the Asia Society and the Museum of Fine Arts, Boston. Denise has curated exhibitions such as Global by Design: Chinese Ceramics from the R. Albuquerque Collection (2016), Silla: Korea’s Golden Kingdom (2013), Red and Black: Chinese Lacquer from the 13th to the 16th Century (2012), and Hidden Treasure of Afghanistan (2009). Her publications include How to Read Chinese Ceramics (2015), Wisdom Embodied: Chinese Buddhist and Daoist Sculpture in the Metropolitan Museum of Art (2010), The Art of Buddhism: An Introduction to Its History and Meaning (2009), Mother-of-Pearl: A Tradition in Asian Lacquer (2006), and Treasures of Asian Art: The Asia Society’s Mr. and Mrs. John D. Rockefeller Collection (1994).


PDF icon Download Denise Patry Leidy's CV

Half a body shot of Denise Patry Leidy.

Sadako Ohki

Sadako Ohki, the Japan Foundation Associate Curator of Japanese Art, received her master’s and doctoral degrees in History of Art from the University of Michigan. Ohki wrote her doctoral thesis on Ike Taiga’s calligraphy, reflecting a lifelong interest in calligraphy and ink art. She contributed an essay on Taiga to Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush (Philadelphia Museum of Art, 2007); on British abstract artist Rebecca Salter and her interest in Japan to Rebecca Salter: Into the Light of Things (Yale Center for British Art, 2011); and on Konoe Nobutada to the magazine Orientations (2012). Her exhibitions at the Gallery include Tea Culture of Japan: “Chanoyu” Past and Present (2009), which was accompanied by an exhibition catalogue, and, most recently, the three-part exhibition Byobu: The Grandeur of Japanese Screens (2014).


PDF icon Download Sadako Ohki's CV

Sadako Ohki

Further Reading

The Edo Culture in Japanese Prints. With an introduction by George J. Lee. New Haven: Yale University Press, 1972.

Lee, George J. Selected Far Eastern Art in the Yale University Art Gallery. New Haven: Yale University Art Gallery, 1970.

Neill, Mary Gardner. The Communion of Scholars: Chinese Art at Yale. New York: China Institute in America, 1982.

Ohki, Sadako. Tea Culture of Japan, exh. cat. New Haven: Yale University Art Gallery, 2009.

Ohki, Sadako. Twentieth-Century Japanese Ceramics at the Yale University Art Gallery: The Collections of Molly and Walter Bareiss. New Haven: Yale University Art Gallery, 2001.

Ohki, Sadako, ed. Yale University Art Gallery Bulletin: Japanese Art at Yale (2007).

Sensabaugh, David Ake. The Scholar as Collector: Chinese Art at Yale. New Haven: Yale University Art Gallery, 2004.

Staples, Loretta N. A Sense of Pattern: Textile Masterworks from the Yale University Art Gallery, exh. cat. New Haven: Yale University Art Gallery, 1981.