Calendar

Calendar

Join us to listen, learn, and engage with art in person and online.

Filters
Showing 1 - 12 of 16
An abstract painting of a cloudy sky over water, seen from shore. The shore consists of only a few strokes of red and blue at the bottom of the image. The water is bluish purple in color, with hints of green and yellow near the shore. The same bluish purp

Lectures Looking at Mondrian: Mondrian on the Rivers and in the Dunes

Tuesday, April 4, 2023, 1:30 pm
A square painting divided by thick black lines into several square and rectangular fields. The left third of the painting is divided into three fields: the topmost one is a black square, the middle a royal-blue rectangle, and the bottom a tall white recta

Lectures Looking at Mondrian: Mondrian in Paris

Thursday, April 6, 2023, 1:30 pm
A square painting divided by black lines into five square and rectangular fields of color.

Lectures Looking at Mondrian: Mondrian’s Geometries

Thursday, April 13, 2023, 1:30 pm
A square painting consisting of a white square on a solid-black ground. The square form is rotated 45 degrees to form a diamond shape and is enclosed in a matching white frame. Inside the diamond, two black lines extend vertically, sectioning off the left

Lectures Looking at Mondrian: Mondrian’s Meanings

Friday, April 14, 2023, 1:30 pm
An etching showing a scene contained within a horizontal, oblong field. The field has a trompe l’oeil frame, on which seated or standing figures are visible from behind as they look on to the scene beyond. A face forming part of the frame at center top re

Lectures Hybrid Program, Getty Workshop Lecture, Art and Absolutism: Jacques Callot and the Seductions of the Printed Image

Wednesday, April 19, 2023, 5:30 pm
A design consisting of several adjacent lines proceeding at a 45-degree angle, from top left toward bottom right. At the top, the lines curve to proceed straight up; similarly, at the bottom, they curve to proceed straight down; the middle of each line li

Lectures Hybrid Program, Getty Workshop Lecture, A Circuitous History of Print

Friday, April 21, 2023, 5:30 pm
A seated man seen from the waist up. He looks into the camera with a gentle expression. He has short white hair and wears glasses with round, tortoise-shell frames, along with a black, long-sleeve top.

Hybrid, Lectures Windham-Campbell Prize Ceremony and Keynote Address

Wednesday, September 20, 2023, 5:00 pm – 7:00 pm
An installation view. Eight chairs are presented against a light-blue wall, in two rows of four. The top row hangs on the wall, while the bottom row stands on a low platform.

In Person, Lectures The Art of Change: American Art on Display, 1973–2023

Thursday, November 9, 2023, 5:30 pm – 6:30 pm
A woodcut of two figures next to each other in a green setting with abstract white details. One in a white dress with orange hair stands and looks toward a blue form that occupies the upper right and top of the print. The other is seated facing the standing figure's left side and is dressed entirely in black, with black hair or a veil covering their head.

In Person, Lectures Munch and Kirchner: Expressions of Anxiety

Thursday, February 29, 2024, 5:30 pm – 6:30 pm
Several objects arrayed on a table. The surface of each object, which appears shiny or polished, features a different ornamental pattern. The two objects in the foreground show an inscription reading PLUMIER.

In Person, Yale West Campus, Lectures From Kings to Craftsmen: Ornamental Turning and the Rose Engine Lathe

Friday, March 22, 2024, 12:30 pm – 2:00 pm
A print showing a man and woman on horseback. The woman rides behind the man, clutching his chest. Both glance back at ethereal, skeletal figures that fly behind them.

In Person, Lectures Music on the Dark Side of 1800: Listening to the Blind Virtuosa, Mademoiselle Paradis

Thursday, March 28, 2024, 5:30 pm – 6:30 pm
A painting of an open window looking onto boats on water. Potted plants stand on the ledge or balcony onto which the window opens. The work is characterized by loose brushwork and bold strokes of color. The palette is largely pink and green.

Hybrid, Lectures Matisse Liberates Color

Tuesday, April 2, 2024, 1:30 pm – 2:30 pm

Related Content

  • Exhibitions

    See what exhibitions are currently on view and find out about upcoming, past, and traveling exhibitions.

  • Decorative

    Permanent Collection

    The Gallery’s encyclopedic collection can engage every interest.

  • Screenshot of an E-Newsletter from Yale University Art Gallery with mouse icon

    E-Newsletter Sign-up

    Subscribe to our newsletter to keep up with the latest news from the Gallery.

  • A woman in a wheelchair watches a person looking at art

    Accessibility

    Accommodations are available to ensure that all visitors have an enjoyable experience.