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An abstract painting of a cloudy sky over water, seen from shore. The shore consists of only a few strokes of red and blue at the bottom of the image. The water is bluish purple in color, with hints of green and yellow near the shore. The same bluish purp

Lectures Looking at Mondrian: Mondrian on the Rivers and in the Dunes

Tuesday, April 4, 2023, 1:30 pm
A square painting divided by thick black lines into several square and rectangular fields. The left third of the painting is divided into three fields: the topmost one is a black square, the middle a royal-blue rectangle, and the bottom a tall white recta

Lectures Looking at Mondrian: Mondrian in Paris

Thursday, April 6, 2023, 1:30 pm
A square painting divided by black lines into five square and rectangular fields of color.

Lectures Looking at Mondrian: Mondrian’s Geometries

Thursday, April 13, 2023, 1:30 pm
A square painting consisting of a white square on a solid-black ground. The square form is rotated 45 degrees to form a diamond shape and is enclosed in a matching white frame. Inside the diamond, two black lines extend vertically, sectioning off the left

Lectures Looking at Mondrian: Mondrian’s Meanings

Friday, April 14, 2023, 1:30 pm
A seated man seen from the waist up. He looks into the camera with a gentle expression. He has short white hair and wears glasses with round, tortoise-shell frames, along with a black, long-sleeve top.

Hybrid, Lectures Windham-Campbell Prize Ceremony and Keynote Address

Wednesday, September 20, 2023, 5:00 pm – 7:00 pm
An installation view. Eight chairs are presented against a light-blue wall, in two rows of four. The top row hangs on the wall, while the bottom row stands on a low platform.

In Person, Lectures The Art of Change: American Art on Display, 1973–2023

Thursday, November 9, 2023, 5:30 pm – 6:30 pm
A woodcut of two figures next to each other in a green setting with abstract white details. One in a white dress with orange hair stands and looks toward a blue form that occupies the upper right and top of the print. The other is seated facing the standing figure's left side and is dressed entirely in black, with black hair or a veil covering their head.

In Person, Lectures Munch and Kirchner: Expressions of Anxiety

Thursday, February 29, 2024, 5:30 pm – 6:30 pm
Several objects arrayed on a table. The surface of each object, which appears shiny or polished, features a different ornamental pattern. The two objects in the foreground show an inscription reading PLUMIER.

In Person, Yale West Campus, Lectures From Kings to Craftsmen: Ornamental Turning and the Rose Engine Lathe

Friday, March 22, 2024, 12:30 pm – 2:00 pm
A print showing a man and woman on horseback. The woman rides behind the man, clutching his chest. Both glance back at ethereal, skeletal figures that fly behind them.

In Person, Lectures Music on the Dark Side of 1800: Listening to the Blind Virtuosa, Mademoiselle Paradis

Thursday, March 28, 2024, 5:30 pm – 6:30 pm
A painting of an open window looking onto boats on water. Potted plants stand on the ledge or balcony onto which the window opens. The work is characterized by loose brushwork and bold strokes of color. The palette is largely pink and green.

Hybrid, Lectures Matisse Liberates Color

Tuesday, April 2, 2024, 1:30 pm – 2:30 pm

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