Looking at Mondrian: Mondrian’s Geometries

A square painting divided by black lines into five square and rectangular fields of color.

Piet Mondrian, Composition with Yellow, Blue, Black, and Light Blue, 1929. Oil on canvas. Yale University Art Gallery, Gift of Collection Société Anonyme

Registration required.

To attend on Zoom, register at https://bit.ly/3lztTL4.

To attend in person, register at https://www.eventbrite.com/e/517993712137.

In the third lecture of this four-part series, John Walsh considers Mondrian’s continued experiments in the 1920s and 1930s, some of which rendered his formats and compositions more complex, while others reduced them to near emptiness in search of greater suggestive power. Generously sponsored by the Martin A. Ryerson Lectureship Fund and the John Walsh Lecture and Education Fund.

To attend on Zoom, register at https://bit.ly/3lztTL4. Closed captions will be available in English.

To attend in person, register at https://www.eventbrite.com/e/517993712137. Space is limited. For our current vaccination and mask requirements, visit https://artgallery.yale.edu/hours-and-directions.