Mask (Kponyugu)

late 19th–early 20th century

African Art

The Kponyugu performer appears in ritual of the Poro association, especially at funerals. This mask is in the form of an animal head with large open mouth and spiked teeth, the flat horns of the buffalo, the huge jaw of the crocodile or warthog, the ears of the hyena, and, on top of the head, a chameleon. Each of these animals plays a role in the Senufo stories of the creation of the world. The owner of the mask may use it in conducting an initiation of elder men into the senior level. The masked dancers also may perform at the funeral of deceased male and female Poro members. As a corpse lies in the central plaza, wrapped in cloths, the masked dancers place their heavy double-faced drums directly on the torso of the cadaver lengthwise and beat their rhythms on the side of the drum facing the feet. This ritual is said to ensure that the "shadow" does not leave the body of the deceased through the head and that it finds the correct way to the village of the dead.

Medium

Wood, pigment, and metal

Dimensions

12 13/16 × 13 3/8 × 34 1/4 in. (32.5 × 34 × 87 cm)

Credit Line

Charles B. Benenson, B.A. 1933, Collection

Accession Number

2006.51.83

Period

19th–20th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Alan Brandt, New York. Philip Sanfield, Farmington Hills, Michigan. Michael Oliver, New York, to July 13, 1984; Charles B. Benenson Collection, Greenwich, Conn, 1984–2004; Yale University Art Gallery, New Haven, Conn.
Bibliography
  • Frederick John Lamp, Amanda Maples, and Laura M. Smalligan, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 118–119, ill
  • "Acquisitions, July 1, 2005–June 30, 2006," in "Photography at Yale," special issue, Yale University Art Gallery Bulletin (2006), 222
  • Frederick John Lamp, "Charles Benenson and His Legacy of African Art to Yale," in "Recent Acquisitions 2001–2003," special issue, Yale University Art Gallery Bulletin (2004), 37, ill
Object copyright
Additional information

Object/Work type

ceremonial objects, masks (costume)

Technical metadata and APIs

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