Landscape Artist, attributed to: Wang Hui (Chinese, 1632–1717)

Medium

Handscroll, ink and color on paper

Dimensions

without mounting: 14 15/16 × 73 13/16 in. (38 × 187.5 cm)
with mounting: 15 1/2 in. (39.37 cm)

Credit Line

Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation

Accession Number

2015.107.6a-b

Geography
Culture
Period

Qing dynasty (1644–1911)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Mary Griggs Burke (1916–2012), New York; bequeathed to the Mary and Jackson Burke Foundation, New York, 2012; given to the Yale University Art Gallery, New Haven, Conn., 2015
Bibliography
  • "Acquisitions July 1, 2015–June 30, 2016," Yale University Art Gallery Bulletin: Online Supplement (accessed December 1, 2016), 16
Object copyright
Additional information

Object/Work type

handscrolls

Marks

Seal of Wang Hui [Wang Hui zhi yin] (square, intaglio)\r\nXizuoxing (circular, relief) [Fang Hengxian]\r\nHengxian (square, intaglio)\r\nViewed by Fang Xiaocun (square, relief)

Inscriptions

Master Su [Shi] was boastful, rarely doing paintings for anyone. Mi Manshi [Fu] coming from Hunan on business passed by Huangzhou. Tipsy at their first meeting, he [Mi] rose to put a piece of Guanyin paper on the wall and [Su] painted withered trees and strange rocks to give to him, saying "only you deserve this work." Shigu [Wang Hui] did this for Shimin in the same vein. Both Shi [Shigu and Shimin] enjoy equal reputations in calligraphy and painting: [Shigu] excels in technique, while {Shi]min excels in conceptions. Concerning conceptions and techniques, I have discussed in detail the distinctions between Wang and Ruan in Vice Minister Lixia's [Zhou Lianggong] calligraphy album. Discussing painting is the same. On the seventh day of the seventh month of the eleventh year, renzi, of the Kangxi reign [1672], The Retired Scholar of Longmian, Fang Hengxian, viewed and therefore inscribed.

Signed

Shiming, my fellow artist, is an expert in the principles of painting. He collects widely and studies broadly the famous works of the Song and Yuan dynasties, understanding their profundities and searching out their subtleties. Moreover he has traveled to almost all of the tall mountains and great rivers to the north and south of the Yangzi River. With true landscapes in his mind each [of his paintings] is planned and expansive with free transformations that cannot be thoroughly fathomed. When faced with such paintings, I want to withdraw. Now that I have returned to Yushan he often visited, stimulating me with the teachings of the ancients. He does not consider my awkward brushwork as ugly and repeatedly asks for it. I have exerted myself to paint this scroll in response to his request. Ashamed at the shallowness of my own learning, even in my dreams I cannot see the least resemblance to Huayuan [Fan Kuan]. As a great connoisseur, you certainly have something to teach me. On the ninth day of the third month of the jiyou year [1669], the man of Wumu Mountain, Wang Hui, [painted] and inscribed.

Technical metadata and APIs

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