The Flower Shells, from the series Genroku Poem-Shell Matching Game Artist: Katsushika Hokusai (Japanese, 1760–1849)

Medium

Surimono, shikishi-ban; polychrome woodblock print with silver and gaufrage

Dimensions

sheet: 7 5/8 × 7 in. (19.3 × 17.8 cm)

Credit Line

Promised gift of Virginia Shawan Drosten and Patrick Kenadjian, B.A. 1970

Loan number

ILE2017.30.112

Geography
Culture
Period

Edo period (1615–1868)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Joan B. Mirviss (dealer), New York; sold to Virginia Shawan Drosten and Patrick Kenadjian, Koenigstein im Taunus, Germany, 1990 (on loan to the Yale University Art Gallery, New Haven, Conn., 2017–present)
Bibliography
  • Joan B. Mirviss and John T. Carpenter, Jewels of Japanese Printmaking: Surimono of the Bunka-Bunsei Era 1804–1830 (Tokyo: Ota Memorial Museum of Art, 2000), 50–51, no. 4
Object copyright
Additional information

Object/Work type

botanical, color woodcuts, surimono

Inscriptions

Uguisu no/ susaki e kakete/ shiohigari/ kyaku wa michikuru/ nami no hanagai.\r\n Poet: Tatsumi no sato Okarou\r\n\r\nHanagai no/ hanamori naran/ oi ki tsutsu/ toru te ni kakaru/ nami no miru me wa.\r\n Poet: Chishundou Fukuyoshi(?)\r\n\r\nUmagai ni/ notte* mo suman/ ama ga ko yo/ hanagai hirau/ shiohi tsuge kose.\r\n Poet: Kyoukadou Magao\r\n\r\n*Ordinary reading is "nori te mo" but Edokko pronunciation was "nottemo"??? (need to check)\r\n\r\n(SO 10-11-2017 tentative)\r\n鶯の すきさへかけて 汐干狩\r\n客ハミちくる 波の花貝         巽里尾花楼\r\n\r\n花貝の 花守ならん 追来つゝ\r\nとる手にかかる 浪のミるめハ       置春洞福養\r\n\r\n馬貝に 乗ても往ん 海人か子よ\r\n花貝ひらふ 汐干告こせ         狂歌堂真顔\r\n\r\nReference: Ota p. 50 (cat.no. 4)\r\n

Signed

Getchi Rōjin Iitsu hitsu (brushed by "the Moon Craze Old Man" Iitsu)
月痴(癡)老人 為一 筆

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