Artworks on the wall and a sculpture in a case in the exhibition On the Basis Art.
Past exhibition

Exhibition: On the Basis of Art: 150 Years of Women at Yale

On the Basis of Art: 150 Years of Women at Yale showcases and celebrates the remarkable achievements of an impressive roster of women artists who have graduated from Yale University. Presented on the occasion of two major milestones—the 50th anniversary of coeducation at Yale College and the 150th anniversary of the first women students at the University, who came to study at the Yale School of the Fine Arts when it opened in 1869—the exhibition features works drawn entirely from the collection of the Yale University Art Gallery that span a variety of media, such as paintings, sculpture, drawings, prints, photography, and video. Beginning with Josephine Miles Lewis, the very first student, male or female, to be awarded a Bachelor of Fine Arts degree, in 1891, the show highlights the work of nearly 80 artist-graduates, including Emma Bacon, Certificate of Completion 1885; Audrey Flack, B.F.A. 1952; Eva Hesse, B.F.A. 1959; Sylvia Plimack Mangold, B.F.A. 1961; Jennifer Bartlett, B.F.A. 1964, M.F.A. 1965; Howardena Pindell, M.F.A. 1967; Roni Horn, M.F.A. 1978; Maya Lin, B.A. 1981, M.ARCH. 1986; An-My Lê, M.F.A. 1993; Rina Banerjee, M.F.A. 1995; Wangechi Mutu, M.F.A. 2000; Mickalene Thomas, M.F.A. 2002; Mary Reid Kelley, M.F.A. 2009; Njideka Akunyili Crosby, M.F.A. 2011; and many others. The title of the exhibition references the phrase used in the landmark 1972 U.S. federal law Title IX—which declared that no one could be discriminated against “on the basis of sex” in any education program receiving federal financial assistance, and which forced the School of Art to hire full-time female faculty beginning that year. Amid the rise of feminist movements—from women’s suffrage at the turn of the 20th century, to the ERA movement of the mid-20th century, to the #MeToo movement of today—this exhibition asserts the crucial role that women have played in pushing creative boundaries at Yale, and in the art world at large.

Maya Lin's pastel study for the Vietnam Veterans Memorial.

Maya Lin (B.A. 1981, M.ARCH. 1986), Study for the Vietnam Veterans Memorial, 1980. Pastel on paper. Yale University Art Gallery, Promised gift of Maya Lin, B.A. 1981, M.ARCH. 1986, in honor of Jock Reynolds, the Henry J. Heinz II Director, 1998–2018, and Vincent J. Scully, Jr., B.A. 1940, M.A. 1947, PH.D. 1949. Copyright Maya Lin Studio, courtesy Pace Gallery

Rona Pondick's stainless steel sculpture.

Rona Pondick (M.F.A. 1977), Fox, 1998–99. Stainless steel. Yale University Art Gallery, Promised gift of Antonio Homem. © Rona Pondick

View of Maui's Haleakala Crater.

Victoria Sambunaris (M.F.A. 1999), Untitled (Haleakala Crater), Maui, Hawaii, 2005. Chromogenic print. Yale University Art Gallery, Gift of Susan and Arthur Fleischer, Jr., B.A. 1953, LL.B. 1958. © Victoria Sambunaris. Courtesy the artist and Yancey Richardson Gallery

Views of the Exhibition

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Exhibition and publication made possible by Nancy D. Grover, the Janet and Simeon Braguin Fund, the Katharine Ordway Exhibition and Publication Fund, the Raymond and Helen Runnells DuBois Publication Fund, and the Wolfe Family Exhibition and Publication Fund. Organized by Elisabeth Hodermarsky, the Sutphin Family Curator of Prints and Drawings, with the assistance of Judy Ditner, the Richard Benson Associate Curator of Photography and Digital Media; John Stuart Gordon, the Benjamin Attmore Hewitt Curator of American Decorative Arts; Keely Orgeman, the Seymour H. Knox, Jr., Associate Curator of Modern and Contemporary Art; Sydney Skelton Simon, the Bradley Assistant Curator of Academic Affairs; and Molleen Theodore, Associate Curator of Programs.

Related Publication

Cover of On the Basis of Art.

On the Basis of Art: 150 Years of Women at Yale

With an introduction by Elisabeth Hodermarsky and essays by Helen A. Cooper, Linda Konheim Kramer, and Marta Kuzma