The Taller de Gráfica Popular received international acclaim for its work, with both individual prints and entire exhibitions traveling to Latin America, Europe, and the United States. In 1959 the Venezuelan Ministry of Labor organized an exhibition of Mexican art, including a number of images by the Taller, which traveled through Venezuela, attracting huge crowds. This broadside reproduces images by Taller artists Alberto Beltrán, Pablo O’Higgins, Andrea Gómez, José Chávez Morado, Ignacio Aguirre, and David Alfaro Siqueiros (misidentified as by Camilo Minero, a Salvadoran who worked at the Taller in the late 1950s). El trabajador was a ministry publication intended as a “new voice” for Venezuelan workers. In reproducing prints from the Taller, El trabajador appropriates the techniques and populist momentum of the Mexican collective for Venezuelan labor politics.