Prints and Drawings
Photo credit: Yale University Art Gallery
Full-size image not available for download. Please contact Rights and Reproductions.
Artist: Elizabeth Catlett, American, active Mexico, 1915–2012
Artist: Óscar Frías, Mexican, born 1920
Artist: Andrea Gómez, Mexican, 1926–2012
Artist: Mariana Yampolsky, Mexican, born United States, 1925–2002
Publisher: Taller de Gráfica Popular, Mexico City, founded 1937

Homenaje a Cárdenas (Homage to Cárdenas)



sheet: 81.5 × 55 cm (32 1/16 × 21 5/8 in.)
Gift of Monroe E. Price, B.A. 1960, LL.B. 1964, and Aimée Brown Price, M.A. 1963, Ph.D. 1972
This poster honors President Lázaro Cárdenas (1934–40) upon his receipt of the Stalin Peace Prize in 1955 (renamed the International Lenin Peace Prize in 1956). Each of the four artists emphasized Cárdenas’s dedication to workers and the peasant classes, as his administration strengthened unions and redistributed a large amount of land to rural communities through ejidos (cooperative farms). The bottom scene, a rural family hanging up a poster of Cárdenas on their wall, alludes to the Taller’s own role in the “veneration” of Cárdenas.
Made in Mexico
Mexican, American
20th century
Works on Paper - Prints - Posters

Purchased from the Taller de Gráfica by Aimée Brown Price and Monroe E. Price


Helga Prignitz, El Taller de Gráfica Popular en México, 1937–1977 (Mexico City: Instituto Nacional de Bellas Artes, 1992), 328, no. 189.

Gina Costa et al., Para la gente : art, politics and cultural identity of the Taller de Gra´fica Popular : selected works form the Charles S. Hayes Collection of twentieth-century Mexican graphics, exh. cat. (Notre Dame (IN): Snite Museum of Art, University of Notre Dame, 2009), 38, no. 7, Plate 7.

“Acquisitions 2015,” (accessed December 1, 2015).

Michael Ricker et al., El Taller de Gráfica Popular: Vida y Arte, exh. cat. (Athens, Ga.: Georgia Museum of Art, University of Georgia, 2015), 209, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.