The Twenty-Four Paragons of Filial Piety Artist, circle of: Kanō Mitsunobu (Japanese, 1561/65–1608)

ca. early 17th century

Asian Art

Not on view
Medium

Pair of six-panel folding screens: ink, color, gold and silver pigments, and gold foil on paper

Dimensions

unframed: 59 13/16 × 143 5/16 in. (152 × 364 cm)
66 1/8 × 149 5/8 × 3/4 in. (167.96 × 380.05 × 1.91 cm)

Credit Line

Leonard C. Hanna, Jr., Class of 1913, Fund

Accession Number

2002.84.1.1

Geography
Culture
Period

Momoyama period (1573–1615), Edo period (1615–1868)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Private collection, Kyushu, Japan. Acquired by Leighton R. Longhi, New York; sold to the Yale University Art Gallery, New Haven, Conn., 2002
Bibliography
  • Sadako Ohki, "Japanese Art at Yale," Yale University Art Gallery Bulletin (2007), 42
  • Art for Yale: Collecting for a New Century, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2007), 156–57, 378, pl. 141
  • Hiroshi Kawasaki, "Kenkyuu shirou Sagabon Nijuushikou no sashi-e sakusha ni tsuite (Ge)," Kokka Magazine 1240 (February 1999), 28–31
  • Hiroshi Kawasaki, "Kenkyuu shirou Sagabon Nijuushikou no sashi-e sakusha ni tsuite (Jou)," Kokka Magazine 1238 (December 1998), 30–33
  • Hiroshi Kawasaki, "Kanou Shouei hitsu Nijuushikouzy byoubu," Kokka Magazine 1122 (1989),
  • Koichi Nakamura, ed., Shaka ichidaiki: Nijushiko, Shohan (Tokyo: Waseda Daigaku Shuppanbu, 1988), 4–8, 263–332
  • "Daigamen ni miru sansuikousei no tokurei ni tsuite: shoki Kano ha no baai," Kokka Magazine 1086 (August 1985), 13–29
Object copyright
Additional information

Object/Work type

human figures (visual works)

Subject

paragon

Inscriptions

狩野光信工房 二十四孝 紙本金箔地金銀着色墨画六曲一双屏風左隻 桃山―江戸時代

Signed

No signature

Technical metadata and APIs

IIIF

Open in Mirador

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