SPECIAL ADVISORY: In accordance with Yale University’s revised COVID-19 protocols, the Yale University Art Gallery is closed to the public until further notice. Learn More

American Paintings and Sculpture
PrevNext1 of 2
Photo credit: Yale University Art Gallery
PrevNext2 of 2
Photo credit: Yale University Art Gallery
Artist: John Trumbull, American, 1756–1843
Subject: Charles Cotesworth Pinckney, American, 1746–1825

Charles Cotesworth Pinckney (1746–1825)

1791

Oil on wood

3 3/4 × 3 in. (9.5 × 7.6 cm)
Trumbull Collection
1832.48

In 1779, Charles Cotesworth Pinckney led the First South Carolina Regiment at the siege of Savannah, and in 1780 he commanded Fort Moultrie during the defense of Charleston. After the city fell, he spent the next two years as a prisoner of war. This miniature is part of a set of five depicting military officers who served during Revolutionary War campaigns in the South. Thomas Pinckney (1832.46), the younger brother of Charles, is also depicted in this set. With the exception of the portrait of Otho Holland Williams, these miniatures were painted by John Trumbull in Charleston, South Carolina, in February 1791. The inscriptions on the miniatures suggest that in addition to the fourteen history paintings Trumbull included in the lists he announced in 1790, he considered painting at least two other Revolutionary War scenes: The Siege of Savannah and The Attack on Charleston. Neither of these was ever executed.

Geography: 
Made in Charleston, South Carolina
Status: 
On view
Culture: 
American
Period: 
18th century
Classification: 
Miniatures
Bibliography: 

Helen A. Cooper et al., John Trumbull: The Hand and Spirit of a Painter (New Haven, Conn.: Yale University Art Gallery, 1982), 142, pl. 86-90.

Helen A. Cooper et al., Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2008), 101, no. 43, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.