Figural Group
18th–19th century
This triad is closely related to a powerful representation within the art of the Benin Kingdom known as the “royal triad,” in which two attendants flank a king and support his arms. In Benin, such a composition signified the dependence of the ruler on his own people to be able to govern. Here, however, the central figure represents an older, deeply initiated member of the Òsugbó association, who is flanked by two more junior members of the society.
- Medium
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Brass
- Dimensions
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9 7/16 × 7 7/8 × 2 9/16 in. (24 × 20 × 6.5 cm)
- Credit Line
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Charles B. Benenson, B.A. 1933, Collection
- Accession Number
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2006.51.194
- Geography
- Culture
- Period
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18th–19th century
- Classification
- Disclaimer
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Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.
Provenance
Provenance
Wright Gallery, New York, to 1984; Charles B. Benenson Collection, Greenwich, Conn, 1984–2004; Yale University Art Gallery, New Haven, Conn.Bibliography
- Frederick John Lamp, Amanda Maples, and Laura M. Smalligan, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 170, ill.
- "Acquisitions, July 1, 2005–June 30, 2006," Yale University Art Gallery Bulletin (2006): 222.
- Richard Barnes, "Objects of Desire," Yale Alumni Magazine (September/October 2004): 33, ill.
- Susan Vogel and Jerry L. Thompson, Closeup: Lessons in the Art of Seeing African Sculpture from an American Collection and the Horstmann Collection, exh. cat. (New York: Museum for African Art, 1990), 146, fig. 76.
- "Wright Gallery advertisement," African Arts 18 no.2 (1985): 7, ill.
Object copyright
Additional information
Object/Work type
Technical metadata and APIs
- Linked Art
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