African Art
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Headdress Surmounted by Four Women’s Faces and Mami Wata

mid to late 20th century

Paint, wood, fabric, feathers, mirror, yarn, paper, and metal wire

54 1/2 x 20 x 19 in. (138.43 x 50.8 x 48.26 cm)
Charles B. Benenson, B.A. 1933, Collection
2006.51.568
Culture: 
Krio, Ode-Lay association
Period: 
20th century
Classification: 
Masks
Geography: 
Made in Guinea Coast, Sierra Leone
Status: 
On view
Provenance: 

Possibly Jeremiah Cole, Los Angeles and Atlanta, unknown dates
Charles B. Benenson Collection, donated to Yale University Art Gallery in 2004

Bibliography: 

Sarah Adams, Call and Response: Journeys of African Art, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2000), 74, fig. 42.

“Acquisitions, July 1, 2005–June 30, 2006,” Yale University Art Gallery Bulletin (2006): 222.

Henry John Drewal, “Mami Wata: Arts for Water Spirits in Africa and Its Diaspora,” African Arts 41 (2008): 76, fig. I.5.

Frederick John Lamp, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 312, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.