Ancient Art
Artist Roman copy of an original by: Eutychides, Greek, active ca. 295 B.C.

Tyche of Antioch

ca. 1st–2nd century A.D.

Bronze, hollow cast; originally inlaid with silver at eyes; base cast separately and attached

15 × 8.4 × 7.7 cm (5 7/8 × 3 5/16 × 3 1/16 in.)
Leonard C. Hanna, Jr., Class of 1913, Fund
This bronze statuette of the Roman period is modeled on one of the most influential statues of antiquity—the Tyche of Antioch by Eutychides, created in about 300 B.C. Tyche, the personification of Fortune, was held in great esteem in the Hellenistic and Roman periods. Cities throughout the Graeco-Roman world attempted to improve their own fortunes by celebrating Tyche as a civic deity. Tyche is usually represented in art as a female figure, wearing a mural crown. Sometimes identifying attributes, such as landscape features, were incorporated into a particular city’s image of Tyche. Judging by surviving copies, Eutychides’s Tyche of Antioch was shown seated on a rock, with a personification of the river Orontes at her feet. It is unclear whether Yale’s statuette originally included the figure of Orontes.
Not on view
Roman, after a Greek original

Ariadne Galleries; Yale University Art Gallery, New Haven, Conn., acquired from the above, 1986.


Matthew M. McCarty, Ancient Bronzes: A Guide to the Yale Collection (New Haven, Conn.: Yale University Art Gallery, Spring 2006).

Susan B. Matheson, “Ancient Greek Bronzes at Yale,” Yale University Art Gallery Bulletin (2004): 53, ill.

Mark D. Stansbury-O’Donnell, “Reflections of the Tyche of Antioch in Literary Sources and on Coins,” Yale University Art Gallery Bulletin (1994): 54, no. 2, fig. 31.

“Catalogue of the Exhibition ‘An Obsession with Fortune: Tyche in Greek and Roman Art’,” Yale University Art Gallery Bulletin (1994): 108, no. 2.

Handbook of the Collections, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1992), 266, ill.

Richard A. Grossmann, Ancient Glass: A Guide to the Yale Collection (New Haven, Conn.: Yale University Art Gallery, 2002), 33, left, fig. 33.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.