1971

Modern and Contemporary Art

Not on view


From the exhibition Still Life: 1970s Photorealism:

Malcolm Morley is often considered the first artist to have worked in a Photorealist style. As early as 1965, he made an unexpectedly realistic painting of a postcard, and throughout the late 1960s and early 1970s his paintings were based on printed photographic images. He rendered some of these with illusionistic detail, creating works that could trick the viewer’s eye. In others, such as America’s Queen of Opera, based on a Time magazine cover story about the opera singer Beverly Sills, Morley lets viewers see how he made photographic images into paintings: by overlaying the photograph with a grid and then transferring the image to the canvas, square by square. This work both illustrates the transformation of a popular image into a painting and breaks down photographic illusion.


 

Medium

Acrylic on canvas with collage

Dimensions

60 × 48 1/4 in. (152.4 × 122.56 cm)

Credit Line

Gift of Gilbert H. Kinney, B.A. 1953, M.A. 1954

Accession Number

1997.25.2

Culture
Period

20th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

The artist, New York; Sydney Lewis (1919–1999) and Frances Lewis (ca. 1922), Richmond, Virginia, by 1981; sale, Sotheby’s, New York, May 13, 1981; sale, Sotheby’s, New York, November 7, 1990, lot 299; sold to Gilbert H. Kinney (1931–2020), New York, November 7, 1990; given to the Yale university Art Gallery, New Haven, Conn., 1997
Bibliography
  • Robert Storr, Malcolm Morley in a Nutshell: The Fine Art of Painting 1954 – 2012, exh. cat. (New Haven, Conn.: Yale University School of Art, 2012), 47, fig. 3
Object copyright
Additional information

Object/Work type

portraits

Subject

opera queens

Technical metadata and APIs

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