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Modern and Contemporary Art
Artist: Roy Lichtenstein, American, 1923–1997
Blam
1962
Oil on canvas
172.7 × 203.2 cm (68 × 80 in.)
framed: 174.6 × 205.1 × 5.7 cm (68 3/4 × 80 3/4 × 2 1/4 in.)
framed: 174.6 × 205.1 × 5.7 cm (68 3/4 × 80 3/4 × 2 1/4 in.)
Gift of Richard Brown Baker, B.A. 1935
1995.32.9
Status:
On view
Culture:
American
Period:
20th century
Classification:
Paintings
Provenance:
Sold through Leo Castelli Gallery, New York, 1/16/62; to Richard Brown Baker (untill 1995; donated to Yale University Art Gallery)
Bibliography:
Richard Brown Baker Collects!: A selection of contemporary art from the Richard Brown Baker Collection, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1975), 10, 66–67, no. 21, fig. 21.
Susan Belasco and Linck Johnson, The Bedford Anthology of American Literature, Volume 2: 1865 to the Present, 2 (Boston: Bedford/St. Martin’s, 2008), 1073, ill.
Jennifer Farrell, “Reflections on a Gift: Richard Brown Baker and Roy Lichtenstein,” Yale University Art Gallery Bulletin (2008): 49, fig. 2.
Art of the 50’s and 60’s: Selections from the Richard Brown Baker Collection, exh. cat. (Ridgefield, Conn.: The Aldrich Contemporary Art Museum, 1965), no. 60, ill.
Fortissimo!: Thirty years from the Richard Brown Baker Collection of contemporary art, exh. cat. (Providence, R.I.: Rhode Island School of Design Museum, 1985), 15, 36–37, 68, 139–140, no. 84, ill.
Richard H. Axsom et al., Chicago Imagists, exh. cat. (Madison, Wis.: Madison Museum of Contemporary Art, 2011), 41, ill.
James Rondeau and Sheena Wagstaff, Roy Lichtenstein: A Retrospective, exh. cat. (Chicago: Art Institute of Chicago, 2012), 347.
The New Realists, exh. cat. (New York: Sidney Janis Gallery, 1962), ill.
Four Centuries of American Art, exh. cat. (Minneapolis: Minneapolis Institute of Arts, 1963), ill.
Joachim Pissarro, Then and Now and Later: Art since 1945 at Yale, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1998), 38.
Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.