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Photo credit: Yale University Art Gallery
PrevNext2 of 2
Photo credit: Yale University Art Gallery
Artist: Katsushika Hokusai, Japanese, 1760–1849

Pilgrims Ascending the Peak, from the series Thirty-Six Views of Mount Fuji

ca. 1831

Ukiyo-e: polychrome woodblock print

9 15/16 × 14 7/16 in. (25.2 × 36.6 cm)
Gift of Mrs. Thomas D. Goodell

葛飾北斎 「富嶽三十六景 諸人登山」 浮世絵錦絵 江戸時代

In 1830s Japan, Mount Fuji pilgrimages became immensely popular. The practice was made possible by growing prosperity, as well as by a lottery system called Koh, which enabled even poor citizens to pool their funds for a lucky chance to travel to the sacred mountain. Mount Fuji was an object of worship for the ascetic Shugendō Buddhists, who revered nature like Shinto practitioners, and who lived on and trekked up mountains as spiritual practice. The worship of Mount Fuji and the Asama, or Sengen Shrine, at the foot of the mountain, developed into a popular practice across the nation, with subsidiary shrines and local mountains designated as ritual substitutes for Mount Fuji. The radiant mountain rises 3,776 meters (approximately 13,000 feet) and is the highest in Japan. Many pilgrims climbed the mountain wearing straw hats and sticks, as shown in this print by Katsushika Hokusai.

Depicted Mount Fuji, Japan
Edo period (1615–1868)
Works on Paper - Prints

Mrs. Thomas Day Goodell (Julia Harriet Andross Goodell) (1855–1933), Conn.; bequest to the Yale University Art Gallery, New Haven, Conn., 1933


Louisa Cunningham, The Spirit of Place: Japanese Paintings and Prints of the Sixteenth through Nineteenth Centuries, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1984), 41, 42–43, no. 11, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.