SPECIAL ADVISORY: The Yale University Art Gallery is free and open to the public from Tuesday through Sunday. Masks and COVID-19 vaccination (including booster, if eligible) are required.Review our Visitor Policies
Asian Art
PrevNext1 of 8
Photo credit: Yale University Art Gallery
PrevNext2 of 8
Photo credit: Yale University Art Gallery
PrevNext3 of 8
Photo credit: Yale University Art Gallery
PrevNext4 of 8
Photo credit: Yale University Art Gallery
PrevNext5 of 8
Photo credit: Yale University Art Gallery
PrevNext6 of 8
Photo credit: Yale University Art Gallery
PrevNext7 of 8
Photo credit: Yale University Art Gallery
PrevNext8 of 8
Photo credit: Yale University Art Gallery
Explore image in Buddhist Deity Indra (Taishakuten)
10th century
Single block of torreya wood with traces of gesso and pigment
41 × 19 × 7 1/2 in. (104.1 × 48.3 × 19.1 cm)
Leonard C. Hanna, Jr., Class of 1913, Fund
1963.31
An important god who controls storms and rain, Indra is one of many early Indian deities that, over time, became known as protectors of Buddhism and its practitioners. This example—one of the most significant religious sculptures in the Gallery’s collection—was carved from a single block of wood (with the exception of the left sleeve and hand), using a technique that is characteristic of Japanese sculpture dating to the early Heian period. Traces of pigment on the garment indicate that it was once brightly colored.
Geography:
Japan
Status:
On view*
Culture:
Japanese
Period:
Heian period (794–1185)
Classification:
Sculpture
Provenance:
Mathias Komor, New York, 1963; purchased by the Yale University Art Gallery, New Haven, Conn., 1963
Bibliography:
Handbook of the Collections, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1992), 303, ill.
George J. Lee, Selected Far Eastern Art in the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1970), 38–39, no. 59, ill.
Sadako Ohki, “Japanese Art at Yale,” Yale University Art Gallery Bulletin (2007): 36.
Mimi Hall Yiengpruksawan, “The Interstitial Buddha: Picturing the Death of Sakyamuni,” Yale University Art Gallery Bulletin (2007): 50–52, fig. 5.
Alan Shestack, ed., Yale University Art Gallery Selections (New Haven, Conn.: Yale University Art Gallery, 1983).
Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.
