A Game of Croquet Artist: Winslow Homer (American, 1836–1910)

1866

American Paintings and Sculpture

On view, 2nd floor, American Art before 1900

During the 1860s, Winslow Homer undertook the earliest sustained treatment of croquet to appear in fine art. The game was a recent English import. Immediately popular, it provided women with a rare socially acceptable opportunity to compete on equal footing with men in an outdoor sport. The object of the game is to hit one’s ball, using a mallet, through a succession of wickets, while trying to deter one’s opponents from doing the same by "croqueting" their balls, launching them farther afield. The playfully vindictive nature of the game imbued the sport with a flirtatious ingredient that further enhanced its popularity.

Medium

Oil on canvas

Dimensions

23 3/4 × 34 5/8 in. (60.3 × 87.9 cm)

Credit Line

Bequest of Stephen Carlton Clark, B.A. 1903

Accession Number

1961.18.25

Geography

Made in United States

Culture

American

Period

19th century

Classification

Paintings

Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance
Stephen Carlton Clark (1882–1960), New York, by 1944; bequeathed to the Yale University Art Gallery, New Haven, Conn., 1961
Bibliography
  • Kristina Wilson, The Modern Eye: Stieglitz, MoMA, and the Art of the Exhibition, 1925–1934, exh. cat. (New Haven, Conn.: Yale University Press, 2009), 122, no. 55, ill
  • Victor Andrade de Melo, Esporte, Lazer e Artes Plasticas: Diálogos (Rio de Janeiro: Apicuri, 2009), pp. 108, ill
  • Helen A. Cooper et al., Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2008), 318, 324, no. 202, ill
  • Nils Bu¨ttner, Gemalte Ga¨rten Bilder aus zwei Jahrtausenden, exh. cat. (Munich: Hirmer Verlag, 2008), 144, fig. 75
  • Nicholas Fox Weber, The Clarks of Cooperstown: Their Singer Sewing Machine Fortune, Their Great and Influential Art Collections, Their Forty-Year Feud (New York: Alfred A. Knopf, 2007), ill
  • Michael Conforti et al., The Clark Brothers Collect: Impressionist and Early Modern Paintings, exh. cat. (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 2006), 160, 184, 237, 239, 316, 330, fig. 176
Object copyright
No Copyright - United States
Additional information

Object/Work type

figures (representations), genre (visual works), human figures (visual works), landscapes (representations)

Subject

Nature dresses fashion gowns hats sun sunlight women

Signed

Signed lower left "Homer/1866"

Technical metadata and APIs

IIIF

Open in Mirador

View IIIF manifest

The International Image Interoperability Framework, or IIIF, is an open standard for delivering high-quality, attributed digital objects online at scale. Visit iiif.io to learn more

Linked Art

API response for this object

Linked Art is a Community working together to create a shared Model based on Linked Open Data to describe Art.