Newspaper and Fruit Dish

Artist: Juan Gris (Spanish, 1887–1927)

1916

Modern and Contemporary Art

Not on view
Medium

Oil on canvas

Dimensions

framed: 37 15/16 × 25 1/4 × 1 3/4 in. (96.4 × 64.1 × 4.4 cm)

Credit Line

Gift of Collection Société Anonyme

Accession Number

1941.489

Culture
Period

20th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Leonce Rosenberg, Paris; Collection of the Societe Anonymne, New York (bought from Leonce Rosenberg in 1927).
Bibliography
  • Richard Meyer, "'Big, Middle-Class Modernism'," October 131 (Winter 2010), 71–72, ill
  • Ruth L. Bohan et al., The Société Anonyme: Modernism for America, ed. Jennifer Gross, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2006), 160, 175, fig. 6
  • Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney, The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné (New Haven, Conn.: Yale University Press, 1984), 315, no. 315, ill
  • Ruth L. Bohan, The Société Anonyme's Brooklyn Exhibition: Katherine Dreier and Modernism in America (Ann Arbor, Mich.: University of Michigan Research Press, 1982), 141, fig. 9
  • Douglas Cooper and Margaret Potter, Juan Gris: catalogue raisonne de l’oeuvre peint etabli, 2 vols. (Paris: John Berggruen Gallery, 1977), fig. 162
  • Angelica A. Rudenstine, The Guggenheim Museum Collection: Paintings 1880–1945, 2 vols. (New York: Solomon R. Guggenheim Museum, 1976), 189–91, ill
  • Francoise Forster-Hahn, French and School of Paris Paintings in the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1968), 13
  • Collection of the Société Anonyme: Museum of Modern Art 1920 (New Haven, Conn.: Yale University Art Gallery, 1950), 59-60, ill
  • Katherine S. Dreier, James Johnson Sweeney, and Naum Gabo, Three Lectures on Modern Art (New York: Philosophical Library, 1949), 53, ill
  • Daniel-Henry Kahnweiler, Juan Gris: His Life and Work (New York: Harry N. Abrams, Inc., 1947), fig. 27
  • George Heard Hamilton, "The Exhibition of the Collection of the Societe Anonyme: The Museum of Modern Art, 1920," Bulletin of the Associates in Fine Arts at Yale University 10, no. 3 (December 1941), 3, 5, ill
Object copyright
Additional information

Object/Work type

abstract (general art genre)

Signed

Signed on back: "Juan Gris 3-16 3e"

Technical metadata and APIs

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