Dog and Cock Artist: Pablo Picasso (Spanish, active France, 1881–1973)

1921

Modern and Contemporary Art

On view, 3rd floor, Modern and Contemporary Art and Design
Medium

Oil on canvas

Dimensions

61 × 30 1/8 in. (154.9 × 76.5 cm)
framed: 77 × 46 1/2 × 4 1/4 in. (195.6 × 118.1 × 10.8 cm)

Credit Line

Gift of Stephen Carlton Clark, B.A. 1903

Accession Number

1958.1

Geography
Culture
Period

20th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

The artist, Paris; sold to Galerie Paul Rosenberg, Paris, 1921 (PR inv. no. 197) [see note 1]; sold to Dr. Jerome Stonborough (1873–1938), Paris; sale, Parke-Bernet Galleries, Inc., New York, October 17, 1940, lot 72; sold to Paul Rosenberg & Co., New York, October 17, 1940 (PR inv. no. 215) [see note 2]; sold to The Museum of Modern Art, New York, 1942 (MoMA no. 36.42); sold to Stephen Carlton Clark (1882–1960), New York, 1949 [see note 3]; given to the Yale University Art Gallery, New Haven, Conn., 1958

Note 1: (See, “Index card no. 197,” The Paul Rosenberg Archives, a Gift of Elaine and Alexandre Rosenberg, III, D.1.F. The Museum of Modern Art Archives, New York, copy in accession file)

Note 2: (See, “Paintings purchased by Paul Rosenberg since arrival in US on September 20, 1940,” The Paul Rosenberg Archives, a Gift of Elaine and Alexandre Rosenberg, II.B.22. The Museum of Modern Art Archives, New York, copy in accession file)

Note 3: The Museum of Modern Art sold “Dog and Cock” to raise funds for the acquisition of “Three Musicians,” by Pablo Picasso (MoMA no. 55.1949) from Paul Rosenberg & Co., New York. (See, letter from Alexandre Rosenberg, New York, Paul Rosenberg & Company, New York, to Francoise Forster-Hahn, The Yale University Art Gallery, New Haven, Conn., April 25, 1964, copy in accession file)

Bibliography
  • Susan Greenberg Fisher et al., Picasso and the Allure of Language, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2009), 1, 90, 92–95, no. 11, ill.
  • Michael Conforti et al., The Clark Brothers Collect: Impressionist and Early Modern Paintings, exh. cat. (Williamstown, Mass.: Sterling and Francine Clark Art Institute, 2006), 177–79, 188, 316, 340, fig. 146.
  • Calvin Harlan, Vision and Invention: A Course in Art Fundamentals (Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1986).
  • Jane Fluegel, Pablo Picasso: A Retrospective, ed. William Rubin, exh. cat. (New York: Museum of Modern Art, 1980).
  • Katherine Neilson and Andrew Carnduff Ritchie, Selected Paintings and Sculpture from the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1972).
  • Otto G. Ocvirk, Art Fundamentals: Theory and Practice (Dubuque, Iowa: W. C. Brown Co., 1968).
  • Francoise Forster-Hahn, French and School of Paris Paintings in the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1968), 20-21, ill.
  • Lael Tucker Wertenbaker, The World of Picasso (New York: Time-Life Books, 1967).
  • Robert Rosenblum, Cubism and Twentieth Century Art (New York: Harry N. Abrams, Inc., 1960), 102, fig. 15.
  • "Accessions of American and Canadian Museums," Art Quarterly 21 (1958): 227, ill.
  • College Art Journal 17, no. 3 (1958).
  • "New Acquisitions Issue," Yale University Art Gallery Bulletin 24, no. 1 (April 1958): 17, ill.
  • Antonina Vallentin, Pablo Picasso (Paris: A. Michel, 1957), 249, ill.
  • Paul Rosenberg & Co., Loan Exhibition of Paintings by Picasso (New York: Paul Rosenberg & Co., 1955), 4, ill.
  • Christian Zervos, Pablo Picasso, 4 (Paris: Éditions Cahiers d'Art, 1951), no. 335, fig. 129.
  • ARTnews Annual 20, pt. 2 (1950): 134, ill.
  • Juan Merli, Picasso: El artista y la obra de nuestro tiempo, 2 (Buenos Aires: El Ateneo, 1948), fig. 252.
  • Alfred H. Barr, Jr., Picasso: Fifty Years of His Art (New York: Museum of Modern Art, 1946), 120, ill.
  • "Abstracts at Modern," Art Digest 16 (April 15, 1942): 10, ill.
  • Alfred H. Barr, Jr., Painting and Sculpture in the Museum of Modern Art (New York: Museum of Modern Art, 1942), 67, fig. 486.
Object copyright
Additional information

Object/Work type

abstract (general art genre)

Inscriptions

U.L. side "Picasso / 21"

Signed

Picasso, Pablo (1881-1973) Spain

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