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Asian Art
Artist: Abdallah, active 17th century

Textile Fragment with a Courtier and Prisoner

early 17th century

Silk; compound weave

13 11/16 × 20 1/16 in. (34.7 × 51 cm)
Hobart and Edward Small Moore Memorial Collection, Gift of Mrs. William H. Moore
1951.51.86
This silk fragment depicts a smartly dressed courtier on horseback accompanied by a prisoner on foot, a motif that became popular in both paintings and textiles in sixteenth-century Iran. Various animals and lush vegetation surround the pair. The artist’s signature is conspicuously placed on the quiver of the idealized rider; it reads, “Work of ‘Abd Allah.”
Status: 
Not on view
Culture: 
Iranian/Persian, Islamic
Period: 
Safavid dynasty (1501–1722)
Classification: 
Textiles
Provenance: 

Lillie P. Bliss (1864 - 1931), New York; Asia Institute, New York; Mrs. William H. Moore (Ada Small Moore) (1858–1955) New York; gift in 1951 to the Yale University Art Gallery, New Haven, Conn.

Bibliography: 

Kishwar Rizvi, “Islamic Art at the Yale University Art Gallery,” Arts of Asia (March–April 2018): 100, fig. 12.

Arthur Upham Pope and Phyllis Ackerman, Survey of Persian Art from Prehistoric Times to the Present, 6 vols. (London: Oxford University Press, 1938), 2101, vol. 3, pl. 1044A.

Loretta N Staples, A Sense of Pattern: Textile Masterworks from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Press, 1981), 26, no. 20, ill.

David Ake Sensabaugh and Susan B. Matheson, “Ada Small Moore: Collector and Patron,” Yale University Art Gallery Bulletin (2002): 31–49.

Kishwar Rizvi, “Art History and the Nation: Arthur Upham Pope and the Discourse on ‘Persian Art’ in the Early 20th Century,” Muquarnas: Journal of Islamic Art and Architecture 24 (2007): 45–65.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.