Modern and Contemporary Art
Photo credit: Yale University Art Gallery
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Artist: Joan Miró, Spanish, 1893–1983

Le renversement (Somersault)

1924

Oil, graphite, charcoal, and tempera on canvas board

92.4 x 72.8 cm (36 3/8 x 28 11/16 in.) framed: 95.41 x 76.2 x 4.29 cm (37 9/16 x 30 x 1 11/16 in.)
Gift of Collection Société Anonyme
1941.572
Culture: 
Spanish
Period: 
20th century
Classification: 
Paintings
Status: 
On view
Bibliography: 

James Johnson Sweeney, Joan Miró, exh. cat. (New York: Museum of Modern Art, 1941), 28–29.

Collection of the Société Anonyme: Museum of Modern Art 1920 (New Haven, Conn.: Yale University Art Gallery, 1950), 108-09, ill.

Harold Rosenberg, “Fertile Fields,” New Yorker (December 23, 1972): 61–64.

Joan Miró, exh. cat. (New York: Acquavella Galleries, Inc., 1972), no. 10.

Ruth L. Bohan, The Société Anonyme’s Brooklyn Exhibition: Katherine Dreier and Modernism in America (Ann Arbor, Mich.: University of Michigan Research Press, 1982), 150, fig. 10.

Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney, The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné (New Haven, Conn.: Yale University Press, 1984), 462, no. 470, ill.

Elan Vital oder das Auge des Eros, exh. cat. (Munich: Haus der Kunst, 1994), 563, no. 438.

Ruth L. Bohan et al., The Société Anonyme: Modernism for America, ed. Jennifer Gross, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2006), 179, 199, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.