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Modern and Contemporary Art
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Photo credit: Yale University Art Gallery
Full-size image not available for download. Please contact Rights and Reproductions.
PrevNext2 of 2
Photo credit: Yale University Art Gallery
Full-size image not available for download. Please contact Rights and Reproductions.
Artist: Antoine Pevsner, French, 1886–1962

Portrait of Marcel Duchamp

1926

Cellulose nitrate on copper with iron

65.4 × 94 cm (25 3/4 × 37 in.)
Gift of Collection Société Anonyme
1941.628
Status: 
Not on view
Culture: 
French
Period: 
20th century
Classification: 
Sculpture
Bibliography: 

Collection of the Société Anonyme: Museum of Modern Art 1920 (New Haven, Conn.: Yale University Art Gallery, 1950), 150-51, ill.

Ruth L. Bohan, The Société Anonyme’s Brooklyn Exhibition: Katherine Dreier and Modernism in America (Ann Arbor, Mich.: University of Michigan Research Press, 1982), 153, fig. 7.

Robert L. Herbert, Eleanor S. Apter, and Elise K. Kenney, The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné (New Haven, Conn.: Yale University Press, 1984), 517, no. 544, ill.

Ruth L. Bohan et al., The Société Anonyme: Modernism for America, ed. Jennifer Gross, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2006), 63, fig. 20.

Bertrand Lavedrine, Rachel Rivenc, and Michael Schilling, “POPART: An International Research Project on the Conservation of Plastics,” Conservation Perspectives: The GCI Newsletter 24, no. 2 (Fall 2009): 10, ill.

Lisa R. Brody et al., “Unstable Works of Art,” Yale University Art Gallery Bulletin (2010): 131–33, fig. 2–4.

Barbara Zabel, Calder’s Portraits: A New Language, exh. cat. (Washington, D.C.: Smithsonian Institution Press, 2011), 10, fig. 8.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.