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American Decorative Arts
Maker, probably by: Eliphalet Chapin, American, 1741–1807

High chest of drawers

possibly 1790

American black cherry; eastern white pine

86 3/4 × 40 3/16 × 20 7/16 in. (220.3 × 102.1 × 51.9 cm)
Upper case: 36 5/16 × 17 5/16 in. (92.2 × 44 cm)
Lower case: 38 9/16 × 18 1/2 in. (97.9 × 47 cm)
Mabel Brady Garvan Collection
1930.2124
Geography: 
Made in East Windsor, Connecticut
Culture: 
American
Period: 
18th century
Classification: 
Furniture
Provenance: 

Abigail Olcott King (1760–1837) and Alexander King (1749–1831), East Windsor, Conn.; by descent to their daughter Harriet King (1795–1884), East Windsor, Conn.; by descent to her great-niece Mrs. Charles W. Vibert (née Mary King, 1852–1892), South Windsor, Conn.; William R. Secord; sold to Francis P. Garvan, New York, 1928; by gift in 1930 to Yale University Art Gallery, New Haven, Conn., 1930

Bibliography: 

Thomas H. Ormsbee, The Story of American Furniture (New York: MacMillan Company, 1934), fig. 117.

Meyric R. Rogers, “Garvan Furniture at Yale,” Connoisseur Year Book, 1960 (1960): 60, fig. 13.

Helen Comstock, “The American Highboy,” Antiques 80, no. 3 (September 1961): 231, fig. 11.

Helen Comstock, American Furniture: Seventeenth, Eighteenth, and Nineteenth Century Styles (New York: Viking Press, 1962), no. 314.

John T. Kirk, Early American Furniture: How to Recognize, Evaluate, and Care for the Most Beautiful Pieces: High Style, Country, Primitive and Rustic (New York: Alfred A. Knopf, 1970), fig. 84.

Gerald W. R. Ward, American Case Furniture in the Mabel Brady Garvan and Other Collections at Yale University (New Haven, Conn.: Yale University Art Gallery, 1988), 215–16, 235, 278–80, 300, no. 146, ill.

Thomas Peter Kugelman et al., Connecticut Valley Furniture: Eliphalet Chapin and His Contemporaries, 1750-1800, ed. Susan Schoelwer (Hartford, Conn.: Connecticut Historical Society Museum, 2005), 147, no. 58, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.