ca. 1864

European Art

The majestic figures of a hunter and his horse are set against a pale, wintery landscape, as they track the wounded animal that left bloody prints in the snow. This painting may have been part of a larger composition: Courbet listed it under “Studies and Sketches” in an exhibition of his work in 1867. It was still in the painter’s studio upon his death a decade later.

Medium

Oil on canvas

Dimensions

unframed: 47 × 37 1/2 in. (119.4 × 95.3 cm)

Credit Line

Gift of J. Watson Webb, B.A. 1907, and Electra Havemeyer Webb

Accession Number

1942.301

Culture
Period

19th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Atelier Courbet (photographed by Eugène Feyen in Courbet's Ornans studio, 1864); Courbet's studio sale, Paris, Hôtel Drouot, 28 June 1882, lot no. 5 (purchased by Bernheim for Fr 1,600); Théodore Duret Collection, France; Mrs. H. O. Havemeyer Collection, New York, before 1914-1929 (purchased from Duret for Fr 30,000); Electra Havemeyer Webb Collection, New York (by descent), 1929-1942.
Bibliography
  • Les Chasses de Monsieur Courbet, exh. cat. (Besancon, France: Les Editions du Sekoya, 2012), 70–71, fig. 9
  • Michele Haddad, A la chasse avec Gustave Courbet (Besancon, France: Les Cahiers de l'Ethnopole, 2012), 100–101, fig. 52
  • Klaus Herding, Max Hollein, and Schirn Kunsthalle, Courbet A Dream of Modern Art, exh. cat. (Ostfildern, Germany: Hatje Cantz Verlag, 2010), 73–4, fig. 6
  • Dominique de Font-Réaulx et al., Gustave Courbet, exh. cat. (New York: Metropolitan Museum of Art, 2008), 404, no. 201, ill.
  • Musee Fabre, Montpellier, Dominique de Font-Réaulx, and Galeries Nationales du Grand Palais, Gustave Courbet, exh. cat. (Paris: Metropolitan Museum of Art, 2008), 404, no. 201, ill.
  • Nationalmuseum, Zörg Zutter, and Petra ten-Doesschate Chu, Gustave Courbet En Revoltör Lanserar Sitt Verk, exh. cat. (Stockholm: Flammarion, 1999), 22–5, no. 26, fig. 16
  • Zörg Zutter and Nationalmuseum, Courbet: artiste et promoteur de son œuvre, exh. cat. (Paris: Flammarion, 1998), 22–25, 137, no. 26, fig. 16
  • Pierre Georgel, Le Poème de la Nature (France: Gallimard, 1995), 96, ill.
  • Alice Cooney Frelinghuysen, Splendid Legacy: The Havemeyer Collection (New York: Metropolitan Museum of Art, 1993), 314–15, no. 138, fig. 138, pl. 22
  • Sarah Gaunce, Gustave Courbet (New York: Harry N. Abrams, Inc., 1993), 100–01, no. 27
  • Michael Fried, Courbet's Realism (Chicago: University of Chicago Press, 1990), 287–90, fig. pl. 16
  • Burijisuton Bijutsukan, Gustave Courbet: 3 juin-6 aou^t 1989, Bridgestone Museum of Art, Tokyo, exh. cat. (Tokyo: Bridgestone Museum, 1989), 74, no. 23, fig. 23
  • Sarah Faunce and Linda Nochlin, Courbet Reconsidered, exh. cat. (New Haven, Conn.: Brooklyn Museum, 1988), 179–82, no. 69, fig. 69
  • Pierre Courthion and Gustave Courbet, L'opera completa di Courbet (Milan: Rizzoli International Publications, Inc., 1985), 93, no. 361, fig. 361
  • Robert Fernier, La vie et l'œuvre de Gustave Courbet : catalogue raisonne´, II (Lausanne, Switzerland: Lausanne : Bibliothèque des Arts, 1977), 212–13, no. 375, fig. 375
  • Marie Thérèse Lemoyne de Forges, Autoportraits de Courbet, exh. cat. (Paris: Éditions des Musées nationaux, 1973), 45, no. 6, fig. pl. 56
  • "Les Amis de Gustave Courbet," Les Amis de Gustave Courbet (1972)
  • "Bulletin of the Virginia Museum of Fine Arts," Bulletin of the Virginia Museum of Fine Arts 12, no. 2 (1972), 16
  • Andrew Carnduff Ritchie and Katherine Neilson, Selected Paintings and Sculpture from the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1972), no. 75, ill.
  • Francoise Forster-Hahn, French and School of Paris Paintings in the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1968), 5–6, fig. pl. 8
  • Louisine Waldron Havemeyer, Sixteen to to sixty: memoirs of a collector (New York: privately printed, 1961), 195
  • "Recent Gifts and Purchases, February 22–December 31, 1959," Yale University Art Gallery Bulletin 26, no. 1 (December 1960), 30–38, no. 3, fig. 1
  • Pierre Courthion, Courbet. Raconté par lui-même et par ses amis. Sa vie et ses œuvres. (Geneva: P. Cailler, 1948), 39
  • Charles Léger, Courbet et son temps; lettres et documents inédits (Paris: Éditions universelles, 1948), 110
  • "Les Amis de Gustave Courbet," Les Amis de Gustave Courbet 1 (1947)
  • Yale University Art Gallery, Yale University Art Gallery Bulletin, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1943), 4, fig. 11
  • Metropolitan Museum of Art and Henry O. Havemeyer, H.O. Havemeyer collection: catalogue of paintings, prints, sculpture and objects of art (New York: privately printed, 1931), 351
  • Pierre Courthion, Courbet (Paris: Librairie Floury, 1931), 84
  • Charles Léger, Courbet (Paris: Éditions G. Crès, 1929), 122, 128, 216–17
  • Metropolitan Museum of Art, Loan exhibition of the works of Gustave Courbet, exh. cat. (New York: Metropolitan Museum of Art, 1919), no. 26, ill.
  • George Riat, Gustave Courbet, peintre (Paris: H. Floury, 1906), 246, 254
  • Alexandre Estignard, G. Courbet: sa vie et ses oeuvres (Besançon, France: Unknown, 1897), 188
  • Hotel Drouot, Paris, Catalogue de tableaux, études, esquisses et dessins par Gustave Courbet : dépendant de sa succession et ayant en partie figuré á l'éxposition de l'école des Beaux-Arts; deuxième vente, sale cat. (June 28, 1882), no. 5
Object copyright
Additional information

Object/Work type

figures (representations), genre (visual works), human figures (visual works)

Technical metadata and APIs

IIIF

Open in Mirador

View IIIF manifest

The International Image Interoperability Framework, or IIIF, is an open standard for delivering high-quality, attributed digital objects online at scale. Visit iiif.io to learn more

Linked Art

API response for this object

Linked Art is a Community working together to create a shared Model based on Linked Open Data to describe Art.