The Lock at Dolo | Yale University Art Gallery

ca. 1745

On view, 2nd floor, European Art

Medium: Oil on canvas
Dimensions: unframed: 29 1/16 × 42 13/16 in. (73.8 × 108.7 cm)
Credit Line: Gift of Duncan Phillips, B.A. 1908
Accession Number: 1929.5
Geography: Depicted Dolo, Italy, Depicted Brenta river, Italy
Culture: Italian, Venetian
Period: 18th century
Classification: Paintings
Disclaimer: Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Duncan Phillips Collection, Washington, D.C. (–1929); Yale University Art Gallery (1929– )

Bibliography

Elise K. Kenney, ed., Handbook of the Collections: Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 1992), 146

Stefan Kozakiewicz, Bernardo Bellotto, gennant Canaletto/ 2, Katalog (Bongers, Germany: Recklinghausen A. Bongers, 1972), 84–85, no. 106, fig. 106

Andrew Carnduff Ritchie and Katherine Neilson, Selected Paintings and Sculpture from the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1972), no. 56, ill

Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass.: Harvard University Press, 1972), 600

Allentown Art Museum, The Circle of Canaletto, A Special Exhibition sponsored by GAC Corporation and its Allentown units, GAC Finance Inc and Stuyvesant Insurance Group, February 21–March 21, 1971, exh. cat. (Allentown, Penn.: Allentown Art Museum, 1971), no. 18

"Picture Book Number One: Italian Painting," Bulletin of the Associates in Fine Arts at Yale University 15, nos. 1–3 (October 1946), fig. 32

Associates in Fine Arts, Yale University, Exhibition of Eighteenth-Century Italian Landscape Painting and its Influence in England, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1940), no. 3

Legion of Honor Museum, Fine Arts Museums of San Francisco, Exhibition of Venetian Painting, From the Fifteenth Century through the Eighteenth Century, exh. cat. (San Francisco: Legion of Honor Museum, Fine Arts Museums of San Francisco, 1938), no. 11

Cleveland Museum of Art, Catalogue of the Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition, exh. cat. (Cleveland: Cleveland Museum of Art, 1936), 86–87, no. 213

Michele and Donald D'Amour Museum of Fine Arts, Springfield Museums, Catalog of the Opening Exhibition in Honor of James Philip and Julia Emma Gray, exh. cat. (Springfield, Mass.: Michele and Donald D'Amour Museum of Fine Arts, Springfield Museums, 1933), no. 70

"Handbook: A Description of the Gallery of Fine Arts and the Collections," Bulletin of the Associates in Fine Arts at Yale University 5, nos. 1–3 (1931), 34

Duncan Phillips, A Collection in the Making: A Survey of the Problems Involved in Collecting Pictures Together with Brief Estimates of the Painters in the Phillips Memorial Gallery (Washington, D.C.: E. Weyhe, Inc., 1926), 18, fig. pl. IV

Object copyright

Additional information

Object/Work type

landscapes (representations), townscapes

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