The Lock at Dolo Artist: Bernardo Bellotto (Italian, Venice, 1722–1780)

ca. 1745

European Art

On view, 2nd floor, European Art
Medium

Oil on canvas

Dimensions

unframed: 29 1/16 × 42 13/16 in. (73.8 × 108.7 cm)

Credit Line

Gift of Duncan Phillips, B.A. 1908

Accession Number

1929.5

Period

18th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Duncan Phillips Collection, Washington, D.C. (–1929); Yale University Art Gallery (1929– )
Bibliography
  • Handbook of the Collections, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1992), 146
  • Stefan Kozakiewicz, Bernardo Bellotto, gennant Canaletto/ 2, Katalog (Bongers, Germany: Recklinghausen A. Bongers, 1972), 84–85, no. 106, fig. 106
  • Katherine Neilson and Andrew Carnduff Ritchie, Selected Paintings and Sculpture from the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1972), no. 56, ill
  • Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass.: Harvard University Press, 1972), 600
  • Allentown Art Museum, The Circle of Canaletto, A Special Exhibition sponsored by GAC Corporation and its Allentown units, GAC Finance Inc and Stuyvesant Insurance Group, February 21–March 21, 1971, exh. cat. (Allentown, Penn.: Allentown Art Museum, 1971), no. 18
  • "Picture Book Number One," Bulletin of the Associates in Fine Arts at Yale University 15, nos.1–3 (October 1946), fig. 32
  • Associates in Fine Arts, Yale University, Exhibition of Eighteenth-Century Italian Landscape Painting and its Influence in England, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1940), no. 3
  • Legion of Honor Museum, Fine Arts Museums of San Francisco, Exhibition of Venetian Painting, From the Fifteenth Century through the Eighteenth Century, exh. cat. (San Francisco: Legion of Honor Museum, Fine Arts Museums of San Francisco, 1938), no. 11
  • Cleveland Museum of Art, Catalogue of the Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition, exh. cat. (Cleveland: Cleveland Museum of Art, 1936), 86–87, no. 213
  • Michele and Donald D'Amour Museum of Fine Arts, Springfield Museums, Catalog of the Opening Exhibition in Honor of James Philip and Julia Emma Gray, exh. cat. (Springfield, Mass.: Michele and Donald D'Amour Museum of Fine Arts, Springfield Museums, 1933), no. 70
  • Associates in Fine Arts, Yale University, "Handbook: A Description of the Gallery of Fine Arts and the Collections," Bulletin of the Associates in Fine Arts at Yale University 5, nos. 1–3 (1931), 34
  • Duncan Phillips, A Collection in the Making: A Survey of the Problems Involved in Collecting Pictures Together with Brief Estimates of the Painters in the Phillips Memorial Gallery (Washington, D.C.: E. Weyhe, Inc., 1926), 18, fig. pl. IV
Object copyright
Additional information

Object/Work type

landscapes (representations), townscapes

Technical metadata and APIs

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