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Photo credit: Photograph courtesy of Anna Collette
Full-size image not available for download. Please contact Rights and Reproductions.
Artist: Anna Collette, American, born 1974, M.F.A. 2003

Untitled, from the series Onion Creek

2013, printed 2018

4 pigmented inkjet prints mounted on Dibond

59.5 × 192 cm (23 7/16 × 75 9/16 in.)
image (each): 58.4 × 46.4 cm (23 × 18 1/4 in.)
sheet: 23 × 18.3 cm (9 1/16 × 7 3/16 in.)
support: 58.4 × 46.4 cm (23 × 18 1/4 in.)
Richard Brown Baker, B.A. 1935, Fund

Anna Collette’s photographs convey the fragility of the American landscape and nature’s capacity for both beauty and destruction. The Onion Creek watershed in Austin, Texas, catches water from a large area, making it vulnerable to flooding. Historic rainfall in the fall of 2013 uprooted trees and sent them rushing downstream, where they were caught by a grove of magnificent Southern live oaks—emblems of the South—which was also damaged in the flood. Collette photographed the creek bed from a highway overpass once the floodwaters had receded, positioning her camera over the edge of the rail. This work from the series presents fragments of a seemingly endless terrain of environmental devastation.

Not on view
20th century
Works on Paper - Photographs

Anna Collette, New York, 2018–19; Yale University Art Gallery, New Haven, Conn.


Lisa Hodermarsky et al., On the Basis of Art: 150 Years of Women at Yale, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2021), 280–81, no. 68, fig. 1.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.