Homage to the Square: Saturated Artist: Josef Albers (American, born Germany, 1888–1976, M.A. (Hon.) 1950, D.F.A. (Hon.) 1962)

1951

Modern and Contemporary Art

Not on view
Medium

Oil on Masonite

Dimensions

23 1/4 × 23 3/8 in. (59 × 59.3 cm)
framed: 24 1/2 × 24 7/16 × 1 1/2 in. (62.2 × 62.1 × 3.8 cm)

Credit Line

Bequest of Katharine Ordway

Accession Number

1980.12.39

Culture
Period

20th century

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Bibliography
  • William J. R. Curtis et al., Louis Kahn: The Power of Architecture, eds. Mateo Kries, Jochen Eisenbrand, and Stanislaus von Moos, exh. cat. (Rotterdam, Netherlands: Vitra Design Museum, 2013), 146, no. 226
  • Heinz Liesbrock, Ad Reinhardt: Last Paintings: Ad Reinhardt and Josef Albers, A Meeting, exh. cat. (Düsseldorf: Josef Albers Museum Quadrat, 2011), 111, 160, ill
  • Achim Borchardt-Hume, ed., Albers and Moholy-Nagy: From the Bauhaus to the New World, exh. cat. (New Haven, Conn.: Yale University Press, 2006), ill
  • Achim Borchardt-Hume, ed., Albert and Maholy-Nagy: From the Bauhaus to the New World, exh. cat. (London: Tate Publishing, 2006),
  • Lesley K. Baier, The Katharine Ordway Collection, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1983), 88–89, no. 1
Object copyright
Additional information

Object/Work type

abstract (general art genre)

Subject

square

Signed

On recto bottom right: "A 51", (on verso in gray paint: "Albers '51") not incl. in cat.

Technical metadata and APIs

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