Ushiwakamaru Defeats Benkei in a Game of Sugoroku\r\n Artist: Totoya Hokkei (Japanese, 1780–1850)

probably 1822 (Year of the Horse)

Asian Art

魚屋北渓 牛若丸と弁慶の双六合わせ 江戸時代


Japan was virtually controlled by samurai from the late twelfth century until the country’s defeat in the Second World War. During the Edo period, a peaceful era in which there was no major war for 250 years, the samurai redefined their warrior identity, evolving beyond soldiers to become able administrators. Their nostalgia for their heroic identity and historical battles, however, manifested itself in recurring motifs in surimono. This print features Minamoto no Yoshitsune (1159–1189), whose youthful name was Ushiwakamaru; Yoshitsune was the most celebrated warrior, though his life ended with a tragic death. Here, he appears more as an aristocrat than a warrior, winning a board game over his most faithful retainer, the priest-soldier Benkei, who holds one hand to his head and clenches the fist of his other as he tries to control his temper.

Medium

Surimono, shikishi-ban; polychrome woodblock print with brass and silver pigment and gauffrage

Dimensions

sheet: 8 1/8 × 7 3/16 in. (20.6 × 18.3 cm)

Credit Line

Promised gift of Virginia Shawan Drosten and Patrick Kenadjian, B.A. 1970

Loan number

ILE2017.30.211

Geography
Culture
Period

Edo period (1615–1868)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Joan B. Mirviss (dealer), New York; sold to Virginia Shawan Drosten and Patrick Kenadjian, Koenigstein im Taunus, Germany, 2014 (on loan to the Yale University Art Gallery, New Haven, Conn., 2017–present)
Bibliography
  • Sadako Ohki and Adam Haliburton, The Private World of Surimono: Japanese Prints from the Virginia Shawan Drosten and Patrick Kenadjian Collection (New Haven, Conn.: Yale University Art Gallery, 2020), 104–6, no. 25, ill
Object copyright
Additional information

Object/Work type

color woodcuts, surimono

Marks

on reverse a Beres seal.

Inscriptions

wakamusha ni\r\nmake-oshimi iu\r\nBenkei mo\r\nkobushi o nigiru\r\ntaka no hatsuyume\r\n\r\n"Refusing to admit defeat\r\nto the yonng warrior,\r\nBenkei clenches his fist\r\nas if to hold a hawk\r\nfrom a New Year's dream. Kumaya\r\n\r\n\r\nReference: Carpenter, John T. Reading Surimono -the interplay of text and image in Japanese prints" p. 225, cat.no. 101\r\nTranscription\r\n若武者耳l、。 負惜三いふ 弁慶も\r\nこふしを尓ぎる 鷹の初夢   空満屋\r\n\r\nSignature\r\nAoigaoka Hokkei 葵岡 北渓\r\n\r\nReference: Carpenter, John T. Reading Surimono -the interplay of text and image in Japanese prints" p. 225, cat.no. 101

Signed

Aoigaoka Hokkei; red seal (kaō?)

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