Relief: Human-headed genie watering sacred tree Maker: Unknown

883–859 B.C.

Ancient Art

On view, 1st floor, Ancient Art

This large relief depicts a standing, human-headed male figure with wings. He wears a kilt beneath a fringed robe, a helmet, sandals, and an assortment of jewelry, body ornaments, and small weapons. Holding a pail in his left hand, he reaches with his right to pick the uppermost cone from a sacred tree. Although frequently referred to as a "genie," the Assyrian word apkallu, meaning "sage," may be a more appropriate term for the protective spirit embodied by such a figure. This relief, along with many others showing human- (1854.4–.5) and bird-headed apkallu (1854.3), as well as eunuchs (1854.2.1) and other attendants, once lined the walls of the palace built by the Assyrian king Assurnasirpal II at ancient Kalhu (present-day Nimrud, Iraq). Although only traces of pigment survive on most of these reliefs, originally they would have been brightly painted. The cuneiform inscription running horizontally across the middle of the relief recounts the military, administrative, and religious achievements of the king.

Medium

Gypseous alabaster with traces of paint

Dimensions

88 1/2 × 72 3/4 in. (224.8 × 184.8 cm)

Credit Line

Yale University Purchase

Accession Number

1854.1

Period

Iron Age

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Palace of Assurnasirpal II, Room S or T; purchased from the British excavations at Nimrud.
Bibliography
  • Agnete Wisti Lassen, Eckart Frahm, and Klaus Wagensonner, eds., Ancient Mesopotamia Speaks: Highlights of the Yale Babylonian Collection, exh. cat. (New Haven, Conn.: Yale Peabody Museum, 2019),
  • Ada Cohen and Steven E. Kangas, Assyrian Reliefs from the Palace of Ashurnasirpal II (Hanover, N.H.: University Press of New England, 2010), 7, 10, 22
  • Peter Gardella, American Angels: Useful Spirits in the Material World (Lawrence, Kans.: University Press of Kansas, 2007), 51, ill
  • Susan B. Matheson, Art for Yale: A History of the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2001), 26–29, fig. 24
  • Samuel M. Paley and Richard P. Sobolewski, The Reconstruction of the Relief Representations and Their Positions in the Northwest Palace at Kalhu (Nimrud) II (Mainz, Germany: Verlag Philipp von Zabern, 1987), 40, S-8 pls. 2, 9, ill
  • Samuel M. Paley, King of the World (Brooklyn: Brooklyn Museum of Art, 1976), 72–73
  • Richard D. Barnett, Assyrian Sculpture in the British Museum (Toronto: McClelland and Stewart, 1975),
  • Julian E. Reade, "Twelve Ashurnasirpal Reliefs," Iraq 27 (1965), 134
  • J. B. Stearns, Reliefs from the Palace of Ashurnasirpal II (Graz, Austria: Archiv für Orientforschung, 1961), 33–34, pl. 33, no. A-VI-a-ii-9
  • Ferris J. Stephens, Votive and Historical Texts from Babylonia and Assyria, 9 (New Haven, Conn.: Yale University Press, 1937), 30
  • M. Vaughn, "Assyrian Sculptures in America," International Studio 86 (1927), 59
  • Albert Tobias Clay, The Yale Babylonian Collection, 2 vols. (New Haven, Conn.: Yale University Press, 1915), 12, fig. 18
Object copyright
Additional information

Object/Work type

histories (visual works), mythology, relief

Inscriptions

"Standard Inscription" across relief

Technical metadata and APIs

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