Prints and Drawings
Photo credit: Yale University Art Gallery
Full-size image not available for download. Please contact Rights and Reproductions.
Artist: José Chávez Morado, Mexican, 1909–2002
Publisher: Taller de Gráfica Popular, Mexico City, founded 1937

50.000 cubiertos (50,000 Place Settings)



sheet: 64 × 49 cm (25 3/16 × 19 5/16 in.)
Gift of Mr. and Mrs. Norman Holmes Pearson, B.A. 1932, Ph.D. 1941
José Chávez Morado’s print pokes fun at the various right-wing politicians who struck allegiances with each other prior to the 1940 election. Depicting them as a pack of dogs drooling over a “sumptuous feast,” Chávez Morado mocks the men by modifying their last names. Pablo González becomes Pablo “the Bloodhound”; Mena Brito, Mena “Bruto”; and León Ossorio, “Meón Hosario” (roughly, “Bedwetter Crypt”). The verses on the right mix onomatopoeias, idioms, and insults in a witty nonsense poem about greed and corruption. Sometimes called Comelitón de políticos reaccionarios (Feeding-Trough of Reactionary Politicians), the poster makes clear that no real allegiance between these politicians exists—they are all after the same bone.
Made in Mexico
20th century
Works on Paper - Prints - Posters

Michael Ricker et al., El Taller de Gráfica Popular: Vida y Arte, exh. cat. (Athens, Ga.: Georgia Museum of Art, University of Georgia, 2015), 129, ill.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.