SPECIAL ADVISORY: In accordance with Yale University’s revised COVID-19 protocols, the Yale University Art Gallery will close to the public beginning Friday, October 16, 2020. Learn More

Ancient Art
Artist: Providence Painter, Greek, Attic, ca. 500-475 B.C.

Lekythos showing Boreas

ca. 460 B.C.

Terracotta, red-figure

21.4 × 7.3 cm (8 7/16 × 2 7/8 in.) other (Foot): 5.4 cm(2 1/8 in.)
Gift of Rebecca Darlington Stoddard
1913.148
Status: 
On view*
Culture: 
Greek, Attic
Period: 
Early Classical
Classification: 
Containers - Ceramics
Provenance: 

Ex. coll. Dr. Paul Arndt, Munich; purchased for Yale University by Rebecca Darlington Stoddard, 1913

Bibliography: 

Professor Paul V. C. Baur, Preliminary Catalogue of the Rebecca Darlington Stoddard Collection of Greek and Italian Vases in Yale University (New Haven, Conn.: Yale University Art Gallery, 1914), 17, no. 150.

Professor Paul V. C. Baur, Catalogue of the Rebecca Darlington Stoddard Collection of Greek and Italian Vases at Yale University, 1st ed. (New Haven, Conn.: Yale University Press, 1922), 99–100, no. 148, ill.

Susan B. Matheson and Jerome Jordan Pollitt, Greek Vases at Yale, 1st ed., exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1975), 57–58, no. 50, ill.

Frank Brommer, Goetersagen in Vasenlisten (Marburg, Germany: N.G. Elwert, 1980), 12, no. 28.

Christa Bauchenss-Thüriedl, Erika Simon, and Ingrid Krauskopf, Lexicon Iconographicum Mythologiae Classicae, 8 vols. (Zurich: Artemis, 1981–97), vol. 3, p. 135, no. 2, pl. 108.

Jerome Jordan Pollitt, “Pots, Politics, and Personifications in Early Classical Athens,” Yale University Art Gallery Bulletin 40, no. 1 (Spring 1987): 14, fig. 6.

Beazley Addenda: Additional References to ABV, ARV2 and Paralipomena, 2nd (Oxford: Oxford University Press, 1989), 275.

Susan B. Matheson, Corpus Vasorum Antiquorum, Yale University Art Gallery I (Mainz, Germany: Verlag Philipp von Zabern, 2011), 27, no. 22, pls. 31.1–4, 32.1, 63.3, fig. 22.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.