Bamboo Flute (Shakuhachi), from the series Catalogue of the Arts (Shogei zukushi)

Artist: Hōtei Gosei (Japanese, 1765–1835)

probably 1808

Asian Art

抱亭五清 「尺八 諸藝づくし」 より すりもの 江戸時代

This print depicting the shakuhachi, or bamboo flute, belongs to a series on the arts that was designed by Hōtei Gosei under the sponsorship of the Go-gawa, or Five Directions, poetry club. By the Edo period, the shakuhachi was almost exclusively associated with the monks of the Fuke sect of Zen Buddhism, who traveled around playing the instrument while wearing baskets over their heads to conceal their identities. The accompanying poem invokes a Kabuki character, Kakogawa Honzō, who adopted this Fuke custom after being shunned by the famous Forty-Seven Lordless Samurai. To emblematize Kakogawa’s perseverance, Gosei represents a waterfall-ascending koi along the length of the flute’s satchel, which drapes over the straw basket and is patterned with red fylfots, the emblem of the Go-gawa. In this literary context, the traditional theme of the koi’s efforts toward success becomes a puzzle of literary allusions.

Medium

Surimono, horizontal chū-ban; polychrome woodblock print with gauffrage

Dimensions

sheet: 7 1/2 × 10 1/16 in. (19 × 25.5 cm)

Credit Line

Gift of Virginia Shawan Drosten and Patrick Kenadjian, B.A. 1970

Accession Number

2020.2.3

Geography
Culture
Period

Edo period (1615–1868)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Joan B. Mirviss (dealer), New York; sold to Virginia Shawan Drosten and Patrick Kenadjian, Koenigstein im Taunus, Germany, 1985 (on loan to the Yale University Art Gallery, New Haven, Conn., 2017–2019); given to the Yale University Art Gallery, New Haven, Conn., 2019
Bibliography
  • Joan B. Mirviss and John T. Carpenter, Jewels of Japanese Printmaking: Surimono of the Bunka-Bunsei Era 1804–1830 (Tokyo: Ota Memorial Museum of Art, 2000), 70–71, no. 23
Object copyright
Additional information

Object/Work type

color woodcuts, still lifes, surimono

Inscriptions

Uguisu no\r\nNe o shakuhachi to\r\nKikumade ni\r\nNokiba ni kayou\r\nUme ga Kakogawa\r\n\r\n“The song of the warbler\r\nMelding with that of the flute\r\nReaches as far as the eaves,\r\nBeneath which flows the Kako River\r\nPerfumed with scent of plum. Kinshirô Ichitomo”\r\n\r\nReference: Ota p. 70 (cat. no. 23), Translation by John T. Carpenter\r\n\r\n\r\nMistaking the sound of the warbler for a flute at eave's edge, where the scent of the plum tree courses along with the Kako River\r\n\r\nAH 3/2/2018\r\n鴬の ねを尺八と きくまてに\r\n軒端にかよふ 梅か加古川      琴詩楼一友\r\n\r\nReference: Ota p. 70 (cat. no. 23)

Signed

Hōtei Gosei hitsu (brushed by Hōtei Gosei)
五清筆
抱亭五清=砂山金蔵=砂山五清 (active 1804-1835; 1768-1835)

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