Still‑Life with a Ceramic Stroking‑Ox (Nade‑ushi) Artist: Keisai Eisen (Japanese, 1790–1848)

1829 (Year of the Ox)

Asian Art


渓斎英泉 撫牛 江戸時代


Many surimono are puzzling unless one recognizes and understands their cultural symbols and background. This print is certainly one of them. The black ceramic ox rests on three layers of colorful cushions. Adonis flowers, or fukujusō (happiness and longevity grass), a familiar symbol of the New Year, bloom in a flowerpot. The first poem explains that the print depicts a "stroking ox" (nade-ushi). In merchant circles during this period, a popular custom was to stroke a figurine of an ox while making wishes for good fortune. Each time a wish was granted, a new cushion was made to add underneath the ox. The more wishes realized, the higher the stack of futon mats.

Medium

Surimono, shikishi-ban; polychrome woodblock print with gold and silver pigment

Dimensions

sheet: 8 1/16 × 7 3/16 in. (20.5 × 18.2 cm)

Credit Line

Gift of Virginia Shawan Drosten and Patrick Kenadjian, B.A. 1970

Accession Number

2020.2.2

Geography
Culture
Period

Edo period (1615–1868)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Joan B. Mirviss (dealer), New York; sold to Virginia Shawan Drosten and Patrick Kenadjian, Koenigstein im Taunus, Germany, 2006 (on loan to the Yale University Art Gallery, New Haven, Conn., 2017–2019); given to the Yale University Art Gallery, New Haven, Conn., 2019
Object copyright
Additional information

Object/Work type

color woodcuts, still lifes, surimono

Inscriptions

Poems translated by AH. (See JC's for comparison in the Notes.)\r\n \r\nPoem 1: Mino Naegi\r\n Yamadori no Woroka\r\n\r\nMiyabi naru/ tsuki yuki hana no/ mitsu-buton/ shiki kasane taru/ nade-ushi no haru\r\n\r\n----A cushion for each\r\nof the three splendors of\r\nmoon, snow and flowers \r\nlies heaped beneath \r\nthe petting ox, this nascent spring.\r\n\r\nPoem 2: Iozumi, changing his name to Shuuraitei Kadoyoshi (who is) from the same place as the above\r\n \r\nImo ga nuishi/ futon no kazu mo/ mitsu no asa/ hitai no tama no/ haru no nade-ushi\r\n\r\n--Day, month and year--\r\nthis morning commences all three;\r\nthe same number of pillows\r\nmy girl has sewn\r\nfor the dem-crowned petting ox this spring.\r\n\r\nPoem 3: Shuuchoudou from the Eastern Capital (Touto Shuuchoudou [Monoyana; 1761 - 1830+])\r\n\r\nNade-ushi no/ futon kasane te/ negigoto mo/ kanau musubi ni/ musubu hatsuyume\r\n\r\nThe cushions piled for the petting ox\r\nare wishes woven into reality,\r\nlike my New Year's dream,\r\nwhich, having tied the knot,\r\nhas come true.\r\n\r\n\r\n\r\nAH 6/6/2018. Third poem revised 6/8/18.\r\n\r\n\r\n\r\n美濃苗水\r\n 山鳥遠呂歌\r\n  \r\n三やびなる 月雪花の 三つ蒲團 四季かさ年多る 撫牛の春\r\n\r\n 同 庵住改 秋来亭門芳\r\n\r\n妹可縫ひし ふとんの加壽も 三つの朝 額ひの玉能 春の撫牛\r\n\r\n 東都 秋長堂 (物簗)\r\n\r\n撫うしの 婦とん重年て 祢ぎごとも かなふ結び尓 む壽ぶ初夢

Signed

Keisai

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