Still Life with a Pillow on Its Lacquer Stand and a Porcelain Bowl Artist: Totoya Hokkei (Japanese, 1780–1850)

spring 1816 (Year of the Rat)

Asian Art


魚屋北渓 よき  江戸時代


This still life depicts a black lacquer pillow stand with a pillow cased in a checkered cloth. The pillowcase is partially covered with a sheet of paper; the writing on it reveals the date of the print. Next to the pillow stand is a porcelain bowl, upon which rests a long-handled brush. Multiple reflections can be seen in the print, and playing with this clearly fascinated the artist; the bowl is reflected in the shiny lacquer pillow stand, and the brush is reflected in the water in the bowl. The poems and imagery speak to auspicious dreams for the New Year. The most auspicious first dream is of Mount Fuji, invoked in the first poem and represented visually by the pillow stand, the shape of which resembles the sloping mountain. The second most auspicious New Year’s dream is of a hawk. The second poem claims that the poet dreamt of both Mount Fuji and a hawk, suggesting an especially bountiful year.

Medium

Surimono, shikishi-ban; polychrome woodblock print with lacquer and gauffrage

Dimensions

sheet: 8 1/4 × 7 5/16 in. (21 × 18.5 cm)

Credit Line

Promised gift of Virginia Shawan Drosten and Patrick Kenadjian, B.A. 1970

Loan number

ILE2017.30.104

Geography
Culture
Period

Edo period (1615–1868)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Joan B. Mirviss (dealer), New York; sold to Virginia Shawan Drosten and Patrick Kenadjian, Koenigstein im Taunus, Germany, 2001 (on loan to the Yale University Art Gallery, New Haven, Conn., 2017–present)
Bibliography
  • Sadako Ohki and Adam Haliburton, The Private World of Surimono: Japanese Prints from the Virginia Shawan Drosten and Patrick Kenadjian Collection (New Haven, Conn.: Yale University Art Gallery, 2020), 84–86, no. 18, ill
Object copyright
Additional information

Object/Work type

color woodcuts, still lifes, surimono

Inscriptions

Poem 1: Katadasha aratame Kosenrou Rakuzumi:\r\nI wait and wait for a happy outcome to an affair I kept under wraps, wrapped up in the paper covering my pillow--will it come along with spring at daybreak?\r\n\r\n\r\nPoem 2: Yomo no Utagaki Magao:\r\nOn the lucky teabowl reflected in the pillowstand rising up like Fuji, a hawk, just in time to grace my first dreams of the new year\r\n\r\nAH 2/22/2018 rev. 3/23\r\nPoem 1: 片田舎改 壺泉楼 楽住 Katadasha aratame Kosenrou Rakuzumi \r\n(Kosenrou Rakuzumi changed from the former name Katadasha.)\r\n\r\n身能果報 待徒ゝ飛ち*を 枕紙 暁に春と 連て来つらん\r\n\r\nmi no kahou/ machi tsutsu hiji* wo/ makura gami/ akeji ni haru to (OR akatsuki ni su to)/ tsure te kitsu ran\r\n\r\n(To my luck, while waiting trying to make my arm as a pillow, I found a secret writing on the pillow cover paper. At dawn it may come along with the spring.)\r\n*hiji can be written in 秘事 or secret mater in addition to the meaning of "elbow".\r\n\r\nPoem 2: 四方歌垣 真顔 Yomo no Utagaki Magao\r\n\r\n富士形乃 枕尓うつ類 福茶碗 よき折鷹**能 春の者川夢\r\n\r\nfujigata no/ makura ni utsuru/ fuku jawan/ yoki ori taka no/ haru no hatsu yume\r\n\r\n(reflecting upon the lacquer pillow in the shape of Mount Fuji, what a good timing, a hawk arrived for the first dream of the spring.)\r\n**Goodluck dreams for the New Year's is first, Mount Fuji; second. a hawk; third, eggplants. Hawk is pronounced "taka" in Japanese and "yodaka" (or "yo taka") meaning a night hawk has a hidden meaning of prostitutes.\r\n\r\nOn the pillow paper the calligraphy written backwards states at the beginning: \r\n飛乃え祢の登し の者る hi no e no toshi no haru (spring of the year 丙子1816).\r\n\r\nEnglish tentative. SO 2-19-18\r\n\r\n

Signed

Aoigaoka Hokkei

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