Plum Tree with Mount Fuji Artist: Teisai Hokuba (Japanese, 1771–1844)

ca. 1820

Asian Art

蹄斎北馬 富士に梅の木 江戸時代


Teisai Hokuba was one of the best students of the well-known artist Katsushika Hokusai. Hokuba is said to have produced illustrations for more than sixty kyōka poetry anthologies and popular books between about 1800 and 1812. Many of his works are reminiscent of Hokusai’s, but the compositions tend to be less taut and the colors are softer than his teacher’s. In this print, Hokuba’s silver Mount Fuji is harmonious and intimate. The blossoming plum tree with pink flowers and red bracts cuts diagonally across the view of the peak. The composition subtly blends together, with the soft, salmon-pink clouds outlined in gauffrage in the midground, wreathing the foot of Fuji. Like many surimono, this print was made to celebrate the New Year.

Medium

Surimono, shikishi-ban; polychrome woodblock print with silver pigment and gauffrage

Dimensions

sheet: 8 1/8 × 7 in. (20.6 × 17.8 cm)

Credit Line

Promised gift of Virginia Shawan Drosten and Patrick Kenadjian, B.A. 1970

Loan number

ILE2017.30.101

Geography
Culture
Period

Edo period (1615–1868)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Joan B. Mirviss (dealer), New York; sold to Virginia Shawan Drosten and Patrick Kenadjian, Koenigstein im Taunus, Germany, 1997 (on loan to the Yale University Art Gallery, New Haven, Conn., 2017–present)
Bibliography
  • Sadako Ohki and Adam Haliburton, The Private World of Surimono: Japanese Prints from the Virginia Shawan Drosten and Patrick Kenadjian Collection (New Haven, Conn.: Yale University Art Gallery, 2020), 119–21, no. 30, ill
  • Joan B. Mirviss and John T. Carpenter, Jewels of Japanese Printmaking: Surimono of the Bunka-Bunsei Era 1804–1830 (Tokyo: Ota Memorial Museum of Art, 2000), 68–69, no. 20
Object copyright
Additional information

Object/Work type

color woodcuts, surimono

Inscriptions

Saku ume wa\r\nAsahi no iro ni\r\nNioedomo\r\nYuki wa konoma ni\r\nNokoru Fujinone Hyakuchûan Sajindo\r\n\r\nFujinone wo\r\nFukikuru mado no\r\nHarukaze ni\r\nKusuri ya niou\r\nUme ya kaoreru Asakusaan Ichindo (or Ichihito? 1755–1821) \r\n\r\n\r\n\r\n\r\nHyakuchûan:\r\nThe blossoming plum\r\nscintillates in the colors \r\nof the morning light,\r\nand yet remains adrift\r\namong the trees atop Fuji.\r\n\r\n\r\nAsakusa'an:\r\nDown from Fuji's eternal peak\r\na spring breeze blows \r\ninto the open window,\r\na sweet-scented balm,\r\nfragrant with plum.\r\n\r\nTranslated AH 5/16/2018.\r\n\r\n\r\nSaku ume wa\r\nasahi no iro ni\r\nnioedomo\r\nyuki wa konoma ni\r\nnokoru Fujinone \r\n\r\nXXXX (さく梅は) 朝日の色に 匂へとも\r\n雪は木の間に 残るふしのね      百中庵匙人\r\n\r\n\r\nFujinone wo\r\nfukikuru mado no\r\nharukaze ni\r\nkusuri ya niou\r\nume ya kaoreru \r\n\r\n不尽の嶺を 吹くる窓の 春風に\r\n薬やにほふ うめや薫れる       浅草庵\r\n\r\nReference: Ota p. 68 (cat.no. 20)\r\n\r\nAs written:\r\nさ久梅盤 朝日の色耳 匂へとも 雪盤木の間尓 残るふしの年\r\n\r\n不尽の嶺を 吹くる窓能 春風耳 薬や尓本ふ う免や薫礼留

Signed

Teisai; Seal "Ba" (of Hokuba)

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