Minister of the Right in Kamakura (Kamakura Udaijin), from the series Six Immortal Samurai Poets (Buke Rokkasen) Artist: Yashima Gakutei (Japanese, ca. 1786–1868)

ca. 1827

Asian Art

八島岳亭 「武家六歌仙 鎌倉右大臣」 江戸時代


These prints [ILE.2017.30.45–.50] are from a set of the Six Immortal Samurai Poets, or Buke Rokkasen, one of Yashima Gakutei’s masterpieces. The seated warriors—historical figures from the tenth to the early fifteenth centuries—dominate the compositions against thick gold pigment. The kyōka poets of the Edo period whose verses adorn the prints would have been fully aware of the lives and deeds of these samurai soldiers. Among the five, Minamoto no Sanetomo (1192–1219), identified here as Kamakura Udaijin, or the Minister of the Right in Kamakura, was perhaps the best known as a poet. The kyōka, full of both nostalgia and satire, show the poets’ complex feelings about samurai. Yet, they were grateful for the peace and prosperity of the country, especially at the new year, when poets reflected on life and looked forward to the year ahead.

Medium

Surimono, shikishi-ban; polychrome woodblock prints with gold and silver pigment and heavy gauffrage

Dimensions

sheet: 8 1/4 × 7 5/16 in. (21 × 18.5 cm)

Credit Line

Promised gift of Virginia Shawan Drosten and Patrick Kenadjian, B.A. 1970

Loan number

ILE2017.30.50

Geography
Culture
Period

Edo period (1615–1868)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Sale Sotheby's London 6/8/2004, lot 474; sold to Virginia Shawan Drosten and Patrick Kenadjian, Koenigstein im Taunus, Germany, 2004 (on loan to the Yale University Art Gallery, New Haven, Conn., 2017–present)
Bibliography
  • Sadako Ohki and Adam Haliburton, The Private World of Surimono: Japanese Prints from the Virginia Shawan Drosten and Patrick Kenadjian Collection (New Haven, Conn.: Yale University Art Gallery, 2020), 61–69, no. 12, ill
Object copyright
Additional information

Object/Work type

color woodcuts, surimono

Inscriptions

looks like waves in the spring wind that has crossed the channel of the year.\r\n\r\n\r\n武家六歌仙 鎌倉右大臣\r\nBuke Rokkasen Kamakura Udaijin\r\nKamakura Minister of the Right from the Six Immortal Warrior Poets \r\n\r\nPoem 1: 江州高島 文鎮舎蟹雄\r\nBunchinsha Kanio from Takashima in Goushuu\r\n\r\nUp and down the row\r\nof warriors’ houses, all spruced up\r\nwith new year pines,\r\na flurry of activity\r\nin dapper, dappled robes.\r\n\r\nmononofu* no/ ya nami tsukurou/ kadomatsu ni\r\narare komon no/ medatsu kamishimo\r\n\r\nものゝふ*の 家な三徒くらふ 門松尓\r\nあら連小紋の め多つ上しも\r\n\r\n\r\n*mononofu is a 枕詞 for "ya" arrow. \r\n**this poem is adapted from a poem (honkadori) collected in the Kinkai wakashuu 金槐和歌集 as below::\r\n\r\n武士の 矢並つくろふ 籠手の上に あられたばしる 那須のしのはら\r\nmononofu no/ yanami tsukurou/ kote no ue ni/ arare tabashiru/ nasu no shinohara\r\n\r\n(Hails are hard hitting the gauntlet (bracer) of a warrior when he tries to straighten out the arrows in a quiver in the bamboo grass field in Nasu.)\r\n\r\n\r\n\r\nPoem 2: Bunbunsha 文々舎  \r\n\r\nToshi no nada/ koe kishi kesa no/ haru kaze ni\r\nnami no yoru miyu/ noki no aoyagi\r\n\r\nThe spring winds that have blown\r\nthrough the end of year\r\nto this morning, make waves,\r\nseen past the green-leaf willow\r\nnear the eaves.\r\n\r\n年の灘 こえ来し介さの 春風に\r\n浪のよる見由 軒の青柳\r\n\r\n\r\n\r\n\r\n\r\n\r\n

Signed

Gakutei

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