The Third Rank Minamoto no Yorimasa (Genzanmi Yorimasa), from the series Six Immortal Samurai Poets (Buke Rokkasen) Artist: Yashima Gakutei (Japanese, ca. 1786–1868)

ca. 1827

Asian Art

八島岳亭 「武家六歌仙   源三位頼政」 江戸時代


These prints [ILE.2017.30.45–.50] are from a set of the Six Immortal Samurai Poets, or Buke Rokkasen, one of Yashima Gakutei’s masterpieces. The seated warriors—historical figures from the tenth to the early fifteenth centuries—dominate the compositions against thick gold pigment. The kyōka poets of the Edo period whose verses adorn the prints would have been fully aware of the lives and deeds of these samurai soldiers. Among the five, Minamoto no Sanetomo (1192–1219), identified as Kamakura Udaijin, or the Minister of the Right in Kamakura, was perhaps the best known as a poet. The kyōka, full of both nostalgia and satire, show the poets’ complex feelings about samurai. Yet, they were grateful for the peace and prosperity of the country, especially at the new year, when poets reflected on life and looked forward to the year ahead.

Medium

Surimono, shikishi-ban; polychrome woodblock prints with gold and silver pigment and heavy gauffrage

Dimensions

sheet: 8 1/4 × 7 5/16 in. (21 × 18.5 cm)

Credit Line

Promised gift of Virginia Shawan Drosten and Patrick Kenadjian, B.A. 1970

Loan number

ILE2017.30.48

Geography
Culture
Period

Edo period (1615–1868)

Classification
Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance

Provenance

Sale Sotheby's London 6/8/2004, lot 474; sold to Virginia Shawan Drosten and Patrick Kenadjian, Koenigstein im Taunus, Germany, 2004 (on loan to the Yale University Art Gallery, New Haven, Conn., 2017–present)
Bibliography
  • Sadako Ohki and Adam Haliburton, The Private World of Surimono: Japanese Prints from the Virginia Shawan Drosten and Patrick Kenadjian Collection (New Haven, Conn.: Yale University Art Gallery, 2020), 61–69, no. 12, fig. 1
Object copyright
Additional information

Object/Work type

color woodcuts, surimono

Inscriptions

Wahōtei Itonaga:\r\n\r\nThis year’s glory\r\nshall exceed the last’s—\r\nthe cockerel cries in spring,\r\nlong-accustomed to the peace,[comma?]\r\nof the lion-rousing drum.\r\n\r\n\r\nGoryūen:\r\n\r\n--At the close of the year \r\nspring has come! \r\nRays of sunlight stride \r\nthrough the clouds,\r\ntreading a familiar path.\r\n\r\n\r\n\r\n\r\n\r\nAH translation done. 1/29/18. Revised 6/8/18.\r\n武家六歌仙 源三位頼政\r\nBuke Rokkasen Minamoto Sanmi Yorimasa\r\n\r\nMinamoto Yorimasa at the Third Rank from the Six Immortal Warrior Poets\r\n\r\nPoem 1:  和鳳亭 糸長 Wahoutei Itonaga\r\n\r\nyutakaki wa/ kozo yori masan/ mau shishi no\r\ntaiko ni naruru*/ tori no hatsu haru.\r\n\r\n--This year's glory will exceed the last's,\r\nas the lion dances to the\r\nfull-throated cries of the cock,\r\nlong-accustomed to the \r\nquiet of the signal (alarm?) drum.\r\n\r\n豊き八 こそよりまさん まふ獅子の \r\n太鼓尓なるゝ とりの者川春\r\n\r\n\r\n*諫鼓鶏(かんこどり)indicates the peaceful reign where chickens walk around the alarm drum set in case of disaster (like water and fire hazzards) as it never alarms for such a long time. Here "taiko ni naruru" 太鼓に慣るる presents an opposite of the expectation for the drum for making a loud sound. \r\n\r\n\r\nPoem 2: 五柳園 Goryuuen\r\n\r\nne no uchi ni/ haru wa kini ken/ kumo no ue\r\nfumi nareshi youni/ miyuru hi no ashi\r\n\r\n--At the close of the year \r\nspring has come! \r\nRays of sunlight stride \r\nthrough the clouds,\r\ntreading a familiar path.\r\n\r\n年の内尓 春八来尓介ん 雲の上\r\nふ三なれしやう尓 見ゆる日のあし\r\n\r\n\r\n

Signed

Gakutei

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