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Prints and Drawings
Etcher: Cornelis Cort, Dutch, 1533?–1578
After: Federico Barocci, Italian, 1528–1612

Rest on the Return from Egypt



sheet: 44.5 × 32 cm (17 1/2 × 12 5/8 in.); platemark: 41.3 × 28.2 cm (16 1/4 × 11 1/8 in.)
Everett V. Meeks, B.A. 1901, Fund
Although he studied Federico Barocci’s Madonna del Popolo altarpiece in detail, Francesco Vanni had limited access to other paintings by Barocci and knew many of them only through reproductive engravings like this sheet. Vanni sometimes quoted figures directly—Barocci’s Christ Child reappears, for example, in Vanni’s Immaculate Conception—but in the case of the Madonna della Pappa, Vanni adopted the general conceit of Barocci’s scene, rather than specific details.
Made in The Netherlands
By appointment
16th century
Works on Paper - Prints

John J. Marciari et al., Francesco Vanni: Art in Late Renaissance Siena, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2013), 8, 142–43, no. 45.

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.