Lovers, portrait sitters, bathers, mythological creatures—all were material for Picasso’s expressive manipulations. Following the third lecture of the series “Pablo Picasso at Yale,” join John Walsh, B.A. 1961, Director Emeritus of the J. Paul Getty Museum, Los Angeles, and Keely Orgeman, the Seymour H. Knox, Jr., Associate Curator of Modern and Contemporary Art, for a conversation.
Pablo Picasso, Standing Nude, 1910. Pen and ink. Yale University Art Gallery, Gift of Walter Bareiss, B.S. 1940S