Henri Matisse imagined an ideal kind of painting, one that had classical precedents and would give joy to the artist and his viewers alike. Encouraged by a few American and Russian patrons, and aided by his own production of drawings and sculpture, he created large figural compositions with imaginary settings. 

In this four-part series John Walsh, B.A. 1961, Director Emeritus of the J. Paul Getty Museum, Los Angeles, explores the phases of Matisse’s career. What were the artist’s innovations, and how did he relate to the critics, public, and fellow artists of his day? Each lecture is anchored to an important work, emphasizing close looking. 

Learn more about the series.