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top hats

- Quelle heureuse rencontre ! . . . c'est ce cher Stanislas que je n'avais pas revu depuis que nous avons fait ensemble notre sixème au college de Landernau . . . . . . jadis tout était common entre nous . . . . . . rien ne doit changer; prête moi donc une pièce de vingt ou vingt -cinq francs. (- What a fortunate encounter ! . . . It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau . . . . . . in these times we used to share everything. . . . . . nothing should change; lend me a coin of twenty or twenty-five francs.), pl. 2 from the series Les Amis (The Friends)

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Complet! ! ! (Full! ! !)

Artist: Charles Maurand (French, 1824–1904)
After: Honoré Daumier (French, 1808–1879)
Printer: François Louis Schmied (Swiss, 1873–1941)
Publisher: Jules Meynial (French, active 20th century)

Un homme sans asile est comme un oiseau sans nid. (A man without refuge is like a bird without a nest.), pl. 6 from the series Proverbes et Maximes (Proverbs and maxims) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer: Aubert et Cie (Paris, founded 1829)
Publisher: Bauger et Cie (French, founded 1830)

UN DIMANCHE A LA CAMPAGNE . - Charlotte ! . . . pour l'amour de Dieu, débarrasse-moi de notre enfant ou de notre melon! . . . les pieds de l'un et les côtes de l'autre me fatiguent également l'estomac ! . . . (A SUNDAY IN THE COUNTRY. Charlotte! . . . for the love of God, either take the child or the melon ! . . . the feet of the one and the side of the other are constantly kicking me in the stomach! . . . ) pl. 17 from the series Les Beaux Jours de La Vie (The best days in life) from the journal Le Charivari\r\n\r\n

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

A L'EXPOSITION UNIVERSELLE. - / L'Étranger trouve toutes les facilités désirables pour retourner à son hôtel. (AT THE UNIVERSAL EXHIBITION. - / The Stranger will easily find any means of transportation to return to his hotel.)

Artist: Julien Antoine Peulot (French, born 1827)
After: Honoré Daumier (French, 1808–1879)
Publisher: Jules Meynial (French, active 20th century)

Il faut semer de fleurs le chemin de la vie! . . . . . . . (Life's path should be strewn with flowers! . . . . . . .), pl. 25 from the series Emotions Parisiennes (Parisian Emotions) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer: Aubert et Cie (Paris, founded 1829)
Publisher: Bauger et Cie (French, founded 1830)

Le Dégraisseur En Plein Vent. - Veux-tu me lâcher, gredin? comment je suis forcé, coquin, de passer devant toi brigand, pour aller à mon bureau, misérable! Et voilà trois habits que tu me dégrades canaille ! ! . . . .\r\n(Cleaning On the Street. - Will you leave me alone, you cretin ? every time I go to the office I have to pass by here, wretch! you have already ruined three suits, you thief ! ! . . . . .), pl. 19 from the series Émotions Parisiennes (Parisian Emotions) from the journal Le Charivari\r\n\r\n

Artist: Honoré Daumier (French, 1808–1879)
Printer: Aubert et Cie (Paris, founded 1829)
Publisher: Bauger et Cie (French, founded 1830)

- Mon cher ami, nous avons appris qu'hier soir au spectacle, un monsieur t'avait marché sur le pied par mégarde . . . . . nous sommes parvenus à nous procurer son adresse et nous nous empressons de venir t'annocer que l'affaire est arrangée . . . . il t'attend ce matin au bois de Boulogne, vous vous battrez au pistolet à quinze pas ! . . . . (- My dear friend, we have learned yesterday at the theatre that a gentleman has inadvertedly stepped on your foot. . . . . We have come to get his address and we are eager to announce that the affair is arranged. . . . he is waiting for you this morning in the Bois de Boulogne. You will raise pistols at a distance of 15 paces! . . . .), pl. 1 from the Amis (The Friends) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)

- Quelle heureuse rencontre! . . . c'est ce cher Stanislas que je n'avais pas revu depuis que nous avons fait ensemble notre sixème au college de Landernau. . . . . . jadis tout était common entre nous . . . . . . rien ne doit changer; prête moi donc une pièce de vingt ou vingt -cinq francs. (- What a fortunate encounter! . . . It's my dear Stanislaus whom I haven't seen since we were in the sixth class together at Landernau. . . . . . in these times we used to share everything. . . . . . things should not change; lend me a coin of twenty or twenty-five francs?), pl. 2 from Les Amis (The Friends)

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Un surveillant obligé de fermer l'oeil sur la conduite de ses élèves. (A teacher who is being obliged to turn a blind eye to the conduct of his students.), pl. 5 from the series Professeurs et Moutards (Teachers and students) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Promenade hygiénique et sentimentale, légèrement embêtante, mais remplissant parfaitement son but qui est de faire respirer de l'air à pleins poumons. (A healthy and romantic walk which may be somewhat annoying, but the aim to fill the lungs with fresh air has been fully achieved.), pl. 16 from the series Professeurs et Moutards (Teachers and students) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Jeunes collégiens trop propres, et lavant jusqu' à leur dictionnaire latin. (Clean young high school students, they even try to selling off their latin dictionnary.), pl. 24 from the series Professeurs et Moutards (Teachers and students) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Ce qui nous prouve que, dès le collège, les hommes ne cherchent qu'à se passer pardessus les épaules les uns des autres. (Which proves again that already since high school, men support themselves on the shoulders of his kin in order to advance in life.), pl. 30 from the series Professeurs et Moutards (Teachers and students) from the album Professeurs et Moutards

Artist: Honoré Daumier (French, 1808–1879)
Printer and publisher: Aubert et Cie (Paris, founded 1829)

Robert Macaire directeur d'un journal industriel (Robert Macaire, director of an industrial newspaper.), pl. 91 from the series Caricaturana from the journal Le Charivari\r\n

Artist: Honoré Daumier (French, 1808–1879)

UN AMATEUR - Mais quel est donc ce tableau. . . . , on n'y voit rien que du noir?. . . / LE CRIEUR. - C'est l'empereur Soulouque tiré au daguerréotype. (A COLLECTOR - But what's this painting all about. . . . , I don't see anything but black?. . . / AUCTIONEER - It's the emperor Soulouque, photographed in daguerreotype.), pl. 1 from the series La Salle Des Ventes (At the sales exhibition) from the journal Le Charivari

Artist: Honoré Daumier (French, 1808–1879)
Printer: Destouches (French, active 1855–1869)
Publisher: Maison Martinet-Hautecoeur, Frères (French, founded 1824)

Weary of the Truth

Artist: Marsden Hartley (American, 1877–1943)

Mr. ODIEUX., pl. 285 from the series Célébrités de la Caricature (Celebrities from La Caricature) from the journal La Caricature

Artist: Honoré Daumier (French, 1808–1879)
Printer: Aubert et Cie (Paris, founded 1829)
Publisher: L. de Becquet (French, active Paris, ca. 1832–61)

Prélude, from the series Scènes de la vie intime

Artist: Paul Gavarni (French, 1804–1866)
Publisher: Aubert et Cie (Paris, founded 1829)

Après le péché, from the series Scènes de la vie intime

Artist: Paul Gavarni (French, 1804–1866)
Publisher: Aubert et Cie (Paris, founded 1829)

Mothu et Doria

Artist: Théophile Alexandre Steinlen (French, born Switzerland, 1859–1923)

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