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Made in Italy

Second Frontispiece of Volume IV of Le Antichità Romane

Artist: Giovanni Battista Piranesi (Italian, 1720–1778)

Veduta del Ponte d'Elio Adriano, oggi detto di S. Angelo, dalla parte del Castello verso la Strada de' Banchi (View of the Bridge of Hadrian, today called Ponte S. Angelo), from Le Antichità Romane, vol. IV

Artist: Giovanni Battista Piranesi (Italian, 1720–1778)

Autre Vuë de la Facade du Pronaos, dessiné et décrit dans la planche V (Another view of the pronaos facade drawn and described in Plate V), from Différentes vues ... de Pesto

Artist: Giovanni Battista Piranesi (Italian, 1720–1778)

Autre Vuë de l'interieur du Pronaos, qui a déjà été décrit, et dessiné, dans la planche prêcédente (Another view of the interior of the Pronaos described and drawn in the preceding plate), from Différentes vues...de Pesto

Artist: Giovanni Battista Piranesi (Italian, 1720–1778)

Vue intérieure du Temple, que l'on croit avoir été dédié à Junon [Interior view of the temple which is believed to have been dedicated to Juno], from Paestum series

Artist: Francesco Piranesi (Italian, 1756–1810)

Basso Rilievo, il qual' è scolpito sulla Circonferenza del seguente Vaso Antico di Marmo, esistente in Rome nel Palazzo della Villa Medici sul Monte Pincio . . . (Low Relief Carved on the Circumference of an Antique Marble Vase, Housed in Rome in the Palace of the Villa Medici on Monte Pincio . . . ), from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi (Vases, Candelabras, Cippi, Sarcophagi, Tripods, Lamps, and Antique Ornaments)

Artist: Giovanni Battista Piranesi (Italian, 1720–1778)

Carceri, V: The Lion Bas-Reliefs

Artist: Giovanni Battista Piranesi (Italian, 1720–1778)

Carceri, XVI: The Pier with Chains

Artist: Giovanni Battista Piranesi (Italian, 1720–1778)

Interior of the Pronaos of the Temple of Vesta, Rome

Artist: Luigi Rossini (Italian, 1790–1857)

Ponte Lucano

Artist: Luigi Rossini (Italian, 1790–1857)

Leaf from an Antiphonary: Initial "A" with the Resurrection and Three Marys at the Tomb

Artist: Master of San Giovanni Fuorcivitas (Italian/Florentine)

Bifolium from a Gradual: Nativity in an Initial "P"

Artist: Master of the Libro dei Notai (Domenico Pagliarolo?) (Italian, Bolognese)

Four Cuttings from an Antiphonary with Initial Letters

Artist: Jacopo Filippo d'Argenta (Italian, active 1438–1501)
Artist, possibly by: Master of the Franciscan Breviary (Italian, active ca. 1440–60)

La Briquetterie

Artist: Giovanni Francesco Grimaldi (Italian, 1606–1680)
After: Annibale Carracci (Italian, 1560–1609)

Hercules and the Nemean Lion

Artist: Giovanni Andrea Vavassore (Italian, 1518–1572)

The Judgement of Paris

Etcher: Andrea Schiavone (Andrea Meldolla) (Italian, ca. 1510–1563)
After: Marcantonio Raimondi (Italian, ca. 1480–ca. 1534)
After: Raphael (Italian, 1483–1520)

Venetian Landscape with Three Figures

Artist, circle of: Francesco Guardi (Italian, Venice, 1712–1793)

Detail of Ceiling Ornamentation

Artist, attributed to: Cherubino Alberti (Italian, 1553–1615)

Emperor Freeing the Slave Androcles

Engraver: Agostino Musi, called Veneziano (Italian, ca. 1490–after 1536)
After: Marcantonio Raimondi (Italian, ca. 1480–ca. 1534)

Portrait of Pope Pious V

Artist: Unknown

Veduta della Basilica di S. Lorenzo fuor delle mura (View of S. Lorenzo outside the walls), from Vedute di Roma

Artist: Giovanni Battista Piranesi (Italian, 1720–1778)

Theatre of Marcello, Rome 1821

Artist: Luigi Rossini (Italian, 1790–1857)

Veduta del Palazzo Farnese (View of the Palazzo Farnese), from Vedute di Roma

Artist: Giovanni Battista Piranesi (Italian, 1720–1778)

God Separating Light and Dark, from the Loggia Paintings

Etcher: Orazio Borgianni (Italian, ca. 1578–1616)
After: Raphael (Italian, 1483–1520)

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