Collection

Compositional Study, for King Lear, Act I, Scene I

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for King Lear, Act I, Scene I

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Study for King Lear, Act I, Scene I

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for Richard, Duke of Gloucester, and the Lady Anne

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for Richard, Duke of Gloucester, and the Lady Anne

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for Richard, Duke of Gloucester, and the Lady Anne

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Richard, Duke of Gloucester, and the Lady Anne

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Figure Study of Sylvia, for “Who is Sylvia? what is she, that all the swains commend her?”, Two Gentlemen of Verona, Act IV, Scene II

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Figure Study of Sylvia, for “Who is Sylvia? what is she, that all the swains commend her?”, Two Gentlemen of Verona, Act IV, Scene II

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Figure Study, for The Penance of Eleanor, Duchess of Gloucester, Henry VI, Part II, Act II, Scene IV

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Figure Study, possibly for Fiammetta's Song

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

The Education of Isabella the Catholic

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Study for The Education of Isabella the Catholic

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for The Education of Isabella the Catholic

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for The Education of Isabella the Catholic

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Figure Study of a Nun, for The Education of Isabella the Catholic

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Figure Study of a Nun, for The Education of Isabella the Catholic

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for The Education of Isabella the Catholic

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

Compositional Study, for The Education of Isabella the Catholic

Artist: Edwin Austin Abbey (American, 1852–1911, M.A. (Hon.) 1897)

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Compositional Study, for King Lear, Act I, Scene I

Compositional Study, for King Lear, Act I, Scene I

Study for King Lear, Act I, Scene I

Compositional Study, for Richard, Duke of Gloucester, and the Lady Anne

Compositional Study, for Richard, Duke of Gloucester, and the Lady Anne

Compositional Study, for Richard, Duke of Gloucester, and the Lady Anne

Richard, Duke of Gloucester, and the Lady Anne

Figure Study of Sylvia, for “Who is Sylvia? what is she, that all the swains commend her?”, Two Gentlemen of Verona, Act IV, Scene II

Figure Study of Sylvia, for “Who is Sylvia? what is she, that all the swains commend her?”, Two Gentlemen of Verona, Act IV, Scene II

Figure Study, for The Penance of Eleanor, Duchess of Gloucester, Henry VI, Part II, Act II, Scene IV

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Compositional Study, for “O mistress mine, where are you roaming?”, Twelfth Night, Act II, Scene III

Figure Study, possibly for Fiammetta's Song

The Education of Isabella the Catholic

Study for The Education of Isabella the Catholic

Compositional Study, for The Education of Isabella the Catholic

Compositional Study, for The Education of Isabella the Catholic

Figure Study of a Nun, for The Education of Isabella the Catholic

Figure Study of a Nun, for The Education of Isabella the Catholic

Compositional Study, for The Education of Isabella the Catholic

Compositional Study, for The Education of Isabella the Catholic

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