Male Equestrian Figure

late 19th century

African Art

By appointment, Wurtele Study Center
Medium

Wood and metal

Dimensions

23 1/4 × 5 11/16 × 6 7/8 in. (59 × 14.5 × 17.5 cm)

Credit Line

Charles B. Benenson, B.A. 1933, Collection

Accession Number

2006.51.203

Geography

Segou area, Sahel, Mali, or Sahel, Mali

Culture

Bamana

Period

19th century

Classification

Sculpture

Disclaimer

Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of records is ongoing.

Provenance
John Friede (b. 1938), New York, to October 16, 1980; Charles B. Benenson Collection, Greenwich, Conn, 1980–2004; Yale University Art Gallery, New Haven, Conn.
Bibliography
  • Frederick John Lamp, Amanda Maples, and Laura M. Smalligan, Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery (New Haven, Conn.: Yale University Art Gallery, 2012), 174, ill
  • George Chemeche, ed., The Horse Rider in African Art (London: Antique Collector's Club Ltd., 2011), 77
  • Frederick John Lamp, "Hot Space, Cool Space: The Reinstallation of the African Art Collection in the Louis Kahn Building at Yale University," African Arts 40 (Summer 2007), 48–49, fig. 23
  • "Acquisitions, July 1, 2005–June 30, 2006," in "Photography at Yale," special issue, Yale University Art Gallery Bulletin (2006), 222
  • Susan Vogel, Mary (Polly) Nooter Roberts, and Chris Muller, Exhibition-ism: Museums and African Art, exh. cat. (New York: Museum for African Art, 1994–95), 118, fig. 14
  • Susan Vogel and Jerry L. Thompson, Closeup: Lessons in the Art of Seeing African Sculpture from an American Collection and the Horstmann Collection, exh. cat. (New York: Museum for African Art, 1990), 132, fig. 203
  • Warren M. Robbins and Nancy Ingram Nooter, African Art in American Collections (Washington, D.C.: Smithsonian Institution Press, 1989), 78, fig. 70
  • Susan Vogel, Perspectives: Angles on African Art, exh. cat. (New York: Museum for African Art, 1987), 139, ill
  • Ezio Bassani, "Una bottega di grandi artisti Bambara, I," Critica d'Arte ser. 157–59 (1978), fig. 23
Object copyright
Copyright Undetermined
Additional information

Object/Work type

figures (representations)

Subject

equestrians men

Technical metadata and APIs

IIIF

Open in Mirador

View IIIF manifest

The International Image Interoperability Framework, or IIIF, is an open standard for delivering high-quality, attributed digital objects online at scale. Visit iiif.io to learn more

Linked Art

API response for this object

Linked Art is a Community working together to create a shared Model based on Linked Open Data to describe Art.