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Art of the Ancient Americas
Ceremonial Village Scene with a Flying Figure
ca. 100 B.C.– A.D. 250
Ceramic with pigment
29 x 18 cm (11 7/16 x 7 1/16 in.)
Gift of Mr. and Mrs. Fred Olsen
In the volador (pole flying) ceremony, acrobats mimic a bird’s descent from the heavens to the earth. In this sculpture, a man wearing a feathered headdress is tied to the top of a pole, which towers above the roofs of surrounding houses. He flaps his arms and legs as if to fly, and he is fastened to a rope that wraps its way down the pole. In a moment, he will spiral down to earth.
Hasso Von Winning and Olga Hammer, Ancecdotal Sculpture of Ancient West Mexico, exh. cat. (Los Angeles: Ethnic Arts Council of Los Angeles, 1972), 71, no. 86, ill.
Peter T. Furst, West Mexican Art: Secular or Sacred? The Iconography of Middle American Sculpture (New York: The Metropolitan Museum of Art, New York, 1973), 98133.
Betty Bell, ed., The Archaeology of West Mexico (Ajijic, Mexico: West Mexican Society for Advanced Study, 1974).
George A. Kubler, The Art and Architecture of Ancient America, 2nd ed. (Baltimore: Penguin Books, 1975), pl. 77b.
Jacki Gallagher, Companions of the Dead: Tomb Sculpture from Ancient West Mexico, exh. cat. (Los Angeles: Fowler Museum at UCLA, 1983).
Michael Kan, Clement W. Meighan, and Henry B. Nicholson, Sculpture of Ancient West Mexico: Nayarit, Jalisco, Colima, 2, exh. cat. (Los Angeles: Los Angeles County Museum of Art, 1989), An exhibiton of West Mexico Anecdotal figures, describing figures such as this one.
Helen Pollard, “Recent Research in West Mexican Archaeology,” Journal of Archeological Research 5 (1997): 34584.
Richard F. Townsend, ed., Ancient West Mexico: Art and Archaeology of the Unknown Past, exh. cat. (Chicago: The Art Institute of Chicago, 1998), 144, fig. 10.
Joanne Pillsbury et al., Design for Eternity: Architectural Models from the Ancient Americas, exh. cat. (New Haven, Conn.: The Metropolitan Museum of Art, New York, 2015), 4042, fig. 40.
Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Review and updating of such records is ongoing.