Due to their sensitivity to light, Asian paintings and textiles in the permanent collection rotate every six months. The current rotation, on view until May 1, 2025, explores the role of animals in Chinese, Korean, and Japanese art, with a focus on the 12 animals of the zodiac. As symbols of steadfastness, power, and beauty, horses feature prominently in the display. They appear in an 18th- or 19th-century Japanese screen brushed by a member of the Kano school—the official artists of the Tokugawa shogunate—while a lone horse is the subject of a hanging scroll by the famed 20th-century Chinese painter Xu Beihong. These works are juxtaposed with a rare Korean vessel in the shape of a horse and rider, dating from the 7th or 8th century. Another example of ceramic sculpture, this one from 8th-century China, takes the form of a woman playing polo. 

Elegant paintings from India and Iran illustrate some of the most influential literary themes in West and South Asian culture. Among these are scenes from the life of the Hindu god Krishna as recounted in the epic Bhagavata Purana (Tale of the Lord), as well as the romantic tales of King Bahram Gur from the Haft Peykar (Seven Portraits) by the great 13th-century Iranian poet Rumi. Also included in this section of the galleries are metalwork, ceramic, and glass pieces, alongside a 17th-century Iranian tapestry depicting a hunting scene.

Browse selected works on view