A sculpture consisting of a soft, oblong form within an armature of piping. The piping proceeds either horizontally or vertically, turning only at a 90-degree angle. One end of the oblong form appears to be open, with material draping down. The overall palette is a muted grayish-green, but marbling on the surface of the oblong object incorporates pinks and whites.
Coming soon

Exhibition: Jes Fan: Unbounded

One of today’s leading artists, Jes Fan (b. 1990) makes sculptures that combine elegant abstract forms with an experimental and innovative approach to materials to explore the porousness of identity. Jes Fan: Unbounded focuses on works from the first decade of Fan’s career, showcasing the artist’s use of processes like glassblowing and 3D printing and materials such as resin, silicone, and biological substances. Fan’s way of conceptualizing the world has been shaped by their experience growing up in Hong Kong, both before and after its handover from Britain to China—a geographical and metaphorical crossroads of East and West, ancient and modern, colonial and postcolonial. Fan’s art challenges such binary terms, encouraging us to question inherited assumptions and consider a new way of looking at the world.

Read more about exhibition in the fall 2025 magazine (PDF).

A sculpture consisting of a soft, oblong form within an armature of piping. The piping proceeds either horizontally or vertically, turning only at a 90-degree angle. One end of the oblong form appears to be open, with material draping down. The overall palette is a muted grayish-green, but marbling on the surface of the oblong object incorporates pinks and whites.

Jes Fan, Bivalve II, 2023. Polymer-modified gypsum, metal, glass, and pigment. Collection Timothy Tan. Photo: Pierre Le Hors. Courtesy the artist. © Jes Fan

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Exhibition made possible by the Happy and Bob Doran Artist-in-Residence Fund and the Joann and Gifford Phillips, Class of 1942, Fund. Organized by Margaret Ewing, the Horace W. Goldsmith Assistant Curator of Modern and Contemporary Art.