A black-and-white photograph of a woman standing outdoors between two sections of a chain-link fence. Holding her arms out in a T, with either hand grasping a fencepost, she addresses the camera with a confident gaze. The woman wears a dark pageboy hat and a white polo shirt tucked into a short, plaid skirt. In the background is a low brick building with a slanted roof.
On now

Exhibition: David Goldblatt: No Ulterior Motive

David Goldblatt: No Ulterior Motive is a major traveling retrospective exhibition that spans the seven decades of this South African photographer’s career, from the 1950s to the 2010s, demonstrating Goldblatt’s commitment to showing the realities of daily life in his country. The exhibition and accompanying publication bring together roughly 150 works by Goldblatt from the collections of the Yale University Art Gallery and the Art Institute of Chicago—two major Goldblatt repositories—including his early black-and-white photography and his post-apartheid, large-format color photography. Also included in the exhibition are photographs by some of Goldblatt’s peers, such as Ernest Cole, Santu Mofokeng, and Jo Ractliffe, as well as a generation of younger South Africans, many of whom Goldblatt mentored, including Lebohang Kganye and Zanele Muholi, placing Goldblatt within a broader and intergenerational network of photographers. This ambitious project honors the life and career of an artist who used his work to celebrate his country’s working-class people, the landscape, and the built environment. 

Read an interview with the curator in the spring 2025 magazine (PDF).

A black-and-white photograph of a woman standing outdoors between two sections of a chain-link fence. Holding her arms out in a T, with either hand grasping a fencepost, she addresses the camera with a confident gaze. The woman wears a dark pageboy hat and a white polo shirt tucked into a short, plaid skirt. In the background is a low brick building with a slanted roof.

David Goldblatt, Miriam Diale, 5357 Orlando East, Soweto, 18 October 1972, 1972, printed later. Carbon ink print. Yale University Art Gallery, Purchased with a gift from Jane P. Watkins, M.P.H. 1979; with the Leonard C. Hanna, Jr., Class of 1913, Fund; and with support from the Beinecke Rare Book and Manuscript Library. 
© The David Goldblatt Legacy Trust

A photograph of many identical built structures on a low hill covered in grass the color of sand. The buildings are low to the ground and made from solid blocks that appear tannish-gray in color. Between two windows on the front of each is a door-shaped opening. The structures are without roofs. A light-blue sky occupies the upper third of the image.

David Goldblatt, Incomplete houses, part of a stalled municipal development of 1,000 houses … , 2006, printed later. Pigmented inkjet print. Yale University Art Gallery, Purchased with a gift from Jane P. Watkins, M.P.H. 1979; with the Leonard C. Hanna, Jr., Class of 1913, Fund; and with support from the Beinecke Rare Book and Manuscript Library. © The David Goldblatt Legacy Trust

Objects in the Exhibition

Lulu Gebashe and Solomon Mlutshana, who both worked in a record shop in the city, Mofolo Park

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

Young men and a labour-recruitment poster for the mines, Transkei

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

Ozzie Docrat with his daughter Nassima in his shop before its destruction under the Group Areas Act, Fietas, Johannesburg

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

Shopping on 14th Street, Pageview, Johannesburg, July 1965

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

Hassimia Sahib's Republic Islamic Butchery—doing business from behind the bars. The neighbor, Omar Rustum Allie (Chief), has been "removed" and his house gutted. Housing for Whites under construction. 25 September 1982

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

Ozzie Docrat's shop after its forced closure under the Group Areas Act, Fietas [Johannesburg]

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

Potplant, Fietas [Johannesburg], 7 January 2017

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

Thirteen kilometers of this coastline were a White Group Area, Bloubergstrand, Cape Town, 9 January 1986

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

Flushing Meadows and lighting masts, Site B, Khayelitsha, Cape Town, 11 October 1987

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

Racially segregated beach areas and the boundary between them, Strand, Western Cape, 16 April 1983

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

The meeting place of the Jerusalema Apostolic Church in Zion, Melrose Bird Sanctuary, Johannesburg, 31 December 1987

Artist: David Goldblatt (South African, 1930–2018), Printer: Tony Meintjes (South African, born 1956)

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Exhibition co-organized by the Art Institute of Chicago and the Yale University Art Gallery, New Haven, in collaboration with Fundación MAPFRE, Madrid. Presentation at the Yale University Art Gallery by Judy Ditner, the Richard Benson Associate Curator of Photography and Digital Media. Made possible by generous support from Jane P. Watkins, M.P.H. 1979.